Greenberg is a Bay Area filmmaker and native New Yorker film and theatre artist. She studied film and theatre at Queens College and NYU, and trained  with notable icons including Sanford Meisner, Wynn Handman, and Stella Adler. Aimee worked as an actress and director in television and off Broadway with storied theatre companies including La Mama, Etc. and The Medicine Show Theatre, and Playwrights Horizon.   In LA, she founded her first theatre company: HEIJERA productions. Greenberg is deeply inspired by the work of Robert Wilson, Pina Bausch, Sam Shepherd, Sam Beckett, Brecht, Maya Deren, Tarkovsky, Bela Tar, Pasolini, Cocteau, Stan Brackhage and other experimental artists who broke formal rules and conventions. During her LA period, she pivoted from modern and classical theatre and began generating multi-media original works, while creating a unique acting and movement system.  Greenberg’s post-modern and hybrid works integrate theatre, film, video, masks, puppetry, installation, found objects, pop culture, sound, text, and movement. She has generated life scripts and directed performances with marginalized groups such as teen runaways, gang-involved youth, and battered women. Greenberg also directed and facilitated theatre/film workshops, performances and lectures in universities and conservatories in California, Europe, Russia, and Japan. In San Diego, Aimee founded her second nomadic and site-specific theatre company: fruitlessmoon theatreworks, where she continued to devise new work and re-stage classics with a unique twist.

Critically acclaimed works include Dark Moon of Lilith, American Carnage: A Love Story and phases of the LOON. Aimee is fortunate to have collaborated with icons Grotowski, Augusto Boal, Irene Fornes and Guillermo Gentile. She is the recipient of multiple awards and fellowships including: The Asian Cultural Council Fellowship, The Los Angeles Endowment, Seattle Original Works, and the LA Women’s Foundation Grant.