{"id":9599,"date":"2025-06-19T07:07:02","date_gmt":"2025-06-19T07:07:02","guid":{"rendered":"https:\/\/iffh.nl\/?page_id=9599"},"modified":"2025-06-19T07:23:37","modified_gmt":"2025-06-19T07:23:37","slug":"previous-editions-2023","status":"publish","type":"page","link":"https:\/\/iffh.nl\/old-web\/previous-editions-2023\/","title":{"rendered":"Previous Editions 2023"},"content":{"rendered":"

[vc_row el_class=”team” css=”.vc_custom_1749712162862{padding-top: 156px !important;padding-right: 156px !important;padding-left: 156px !important;}”][vc_column][vc_custom_heading text=”2023 Award Winner” font_container=”tag:h2|text_align:center” use_theme_fonts=”yes”][vc_row_inner][vc_column_inner][vc_column_text]

\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n <\/colgroup>\n <\/table>\n \n \n \n<\/div>\n[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_empty_space height=”20px”][\/vc_column][\/vc_row][vc_row el_id=”rowsa” el_class=”team”][vc_column][vc_custom_heading text=”Finalist films 2023″ font_container=”tag:h2|text_align:center” use_theme_fonts=”yes”][vc_custom_heading text=”Note: E-Certificates will be sent by e-mail to the submitters after the event” font_container=”tag:p|text_align:center” use_theme_fonts=”yes”][vc_row_inner][vc_column_inner][vc_column_text]<\/p>\n

\n\t\t\t
\n\t\t\t\t\t\t\t
\n \n
\n \n \"I,\n
\n
\n

I, Adonis<\/h3>\n <\/div>\n \n <\/figcaption>\n \n \n <\/figure>\n <\/a>\n <\/div>\n\t\t\t\t\t\t\t
\n \n
\n \n \"Mirrors\"\n
\n
\n

Mirrors<\/h3>\n <\/div>\n \n <\/figcaption>\n \n \n <\/figure>\n <\/a>\n <\/div>\n\t\t\t\t\t\t\t
\n \n
\n \n \"The\n
\n
\n

The Days<\/h3>\n <\/div>\n \n <\/figcaption>\n \n \n <\/figure>\n <\/a>\n <\/div>\n\t\t\t\t\t\t\t
\n \n
\n \n \"Words\n
\n
\n

Words like violence<\/h3>\n <\/div>\n \n <\/figcaption>\n \n \n <\/figure>\n <\/a>\n <\/div>\n\t\t\t\t\t\t\t
\n \n
\n \n \"Living\n
\n
\n

Living In A Bubble<\/h3>\n <\/div>\n \n <\/figcaption>\n \n \n <\/figure>\n <\/a>\n <\/div>\n\t\t\t\t\t\t\t
\n \n
\n \n \"Caroline\n
\n
\n

Caroline on the roof<\/h3>\n <\/div>\n \n <\/figcaption>\n \n \n <\/figure>\n <\/a>\n <\/div>\n\t\t\t\t\t\t\t
\n \n
\n \n \"Bazigaga\"\n
\n
\n

Bazigaga<\/h3>\n <\/div>\n \n <\/figcaption>\n \n \n <\/figure>\n <\/a>\n <\/div>\n\t\t\t\t\t\t\t
\n \n
\n \n \"Yuvalo\"\n
\n
\n

Yuvalo<\/h3>\n <\/div>\n \n <\/figcaption>\n \n \n <\/figure>\n <\/a>\n <\/div>\n\t\t\t\t\t\t\t
\n \n
\n \n \"Bury\n
\n
\n

Bury The Hatchet<\/h3>\n <\/div>\n \n <\/figcaption>\n \n \n <\/figure>\n <\/a>\n <\/div>\n\t\t\t\t\t\t\t
\n \n
\n \n \"GUEST\"\n
\n
\n

GUEST<\/h3>\n <\/div>\n \n <\/figcaption>\n \n \n <\/figure>\n <\/a>\n <\/div>\n\t\t\t\t\t\t\t
\n \n
\n \n \"Rutunn\"\n
\n
\n

Rutunn<\/h3>\n <\/div>\n \n <\/figcaption>\n \n \n <\/figure>\n <\/a>\n <\/div>\n\t\t\t\t\t\t\t
\n \n
\n \n \"Gen\n
\n
\n

Gen Z Mental Health: Climate Stories<\/h3>\n <\/div>\n \n <\/figcaption>\n \n \n <\/figure>\n <\/a>\n <\/div>\n\t\t\t\t\t\t\t
\n \n
\n \n \"The\n
\n
\n

The Hunt<\/h3>\n <\/div>\n \n <\/figcaption>\n \n \n <\/figure>\n <\/a>\n <\/div>\n\t\t\t\t\t\t\t
\n \n
\n \n \"Sama\n
\n
\n

Sama Dilaut<\/h3>\n <\/div>\n \n <\/figcaption>\n \n \n <\/figure>\n <\/a>\n <\/div>\n\t\t\t\t\t\t\t
\n \n
\n \n \"Elisabeth\"\n
\n
\n

Elisabeth<\/h3>\n <\/div>\n \n <\/figcaption>\n \n \n <\/figure>\n <\/a>\n <\/div>\n\t\t\t\t\t\t\t
\n \n
\n \n \"Electric\n
\n
\n

Electric Light Orchestra – Yours Truly<\/h3>\n <\/div>\n \n <\/figcaption>\n \n \n <\/figure>\n <\/a>\n <\/div>\n\t\t\t\t\t\t\t
\n \n
\n \n \"Slaps\"\n
\n
\n

Slaps<\/h3>\n <\/div>\n \n <\/figcaption>\n \n \n <\/figure>\n <\/a>\n <\/div>\n\t\t\t\t\t\t\t
\n \n
\n \n \"SACE\"\n
\n
\n

SACE<\/h3>\n <\/div>\n \n <\/figcaption>\n \n \n <\/figure>\n <\/a>\n <\/div>\n\t\t\t\t\t\t\t
\n \n
\n \n \"The\n
\n
\n

The City of Human Chess<\/h3>\n <\/div>\n \n <\/figcaption>\n \n \n <\/figure>\n <\/a>\n <\/div>\n\t\t\t\t\t\t\t
\n \n
\n \n \"Merman\"\n
\n
\n

Merman<\/h3>\n <\/div>\n \n <\/figcaption>\n \n \n <\/figure>\n <\/a>\n <\/div>\n\t\t\t\t\t\t\t
\n \n
\n \n \"Betrayal\"\n
\n
\n

Betrayal<\/h3>\n <\/div>\n \n <\/figcaption>\n \n \n <\/figure>\n <\/a>\n <\/div>\n\t\t\t\t\t\t\t
\n \n
\n \n \"Walking\n
\n
\n

Walking with M<\/h3>\n <\/div>\n \n <\/figcaption>\n \n \n <\/figure>\n <\/a>\n <\/div>\n\t\t\t\t\t\t\t
\n \n
\n \n \"Till\n
\n
\n

Till I pass out<\/h3>\n <\/div>\n \n <\/figcaption>\n \n \n <\/figure>\n <\/a>\n <\/div>\n\t\t\t\t\t\t\t
\n \n
\n \n \"Books\n
\n
\n

Books Not Bombs<\/h3>\n <\/div>\n \n <\/figcaption>\n \n \n <\/figure>\n <\/a>\n <\/div>\n\t\t\t\t\t\t\t
\n \n
\n \n \"Climate\n
\n
\n

Climate Emergency: Feedback Loops<\/h3>\n <\/div>\n \n <\/figcaption>\n \n \n <\/figure>\n <\/a>\n <\/div>\n\t\t\t\t\t\t\t
\n \n
\n \n \"Soep\"\n
\n
\n

Soep<\/h3>\n <\/div>\n \n <\/figcaption>\n \n \n <\/figure>\n <\/a>\n <\/div>\n\t\t\t\t\t\t\t
\n \n
\n \n \"BENTOBOX\"\n
\n
\n

BENTOBOX<\/h3>\n <\/div>\n \n <\/figcaption>\n \n \n <\/figure>\n <\/a>\n <\/div>\n\t\t\t\t\t\t\t
\n \n
\n \n \"Belonging\"\n
\n
\n

Belonging<\/h3>\n <\/div>\n \n <\/figcaption>\n \n \n <\/figure>\n <\/a>\n <\/div>\n\t\t\t\t\t\t\t
\n \n
\n \n \"Endurance\"\n
\n
\n

Endurance<\/h3>\n <\/div>\n \n <\/figcaption>\n \n \n <\/figure>\n <\/a>\n <\/div>\n\t\t\t\t\t\t\t
\n \n
\n \n \"Indo’s\n
\n
\n

Indo’s Silence<\/h3>\n <\/div>\n \n <\/figcaption>\n \n \n <\/figure>\n <\/a>\n <\/div>\n\t\t\t\t\t\t\t
\n \n
\n \n \"Traces\n
\n
\n

Traces of the Future – Herman van Doorn<\/h3>\n <\/div>\n \n <\/figcaption>\n \n \n <\/figure>\n <\/a>\n <\/div>\n\t\t\t\t\t\t\t
\n \n
\n \n \"An\n
\n
\n

An die Musik<\/h3>\n <\/div>\n \n <\/figcaption>\n \n \n <\/figure>\n <\/a>\n <\/div>\n\t\t\t\t\t\t\t
\n \n
\n \n \"BITTER\"\n
\n
\n

BITTER<\/h3>\n <\/div>\n \n <\/figcaption>\n \n \n <\/figure>\n <\/a>\n <\/div>\n\t\t\t\t\t\t\t
\n \n
\n \n \"LOS\"\n
\n
\n

LOS<\/h3>\n <\/div>\n \n <\/figcaption>\n \n \n <\/figure>\n <\/a>\n <\/div>\n\t\t\t\t\t\t\t
\n \n
\n \n \"Eggshells\"\n
\n
\n

Eggshells<\/h3>\n <\/div>\n \n <\/figcaption>\n \n \n <\/figure>\n <\/a>\n <\/div>\n\t\t\t\t\t\t\t
\n \n
\n \n \"Up\n
\n
\n

Up Close Again<\/h3>\n <\/div>\n \n <\/figcaption>\n \n \n <\/figure>\n <\/a>\n <\/div>\n\t\t\t\t\t\t\t
\n \n
\n \n \"Daisies\"\n
\n
\n

Daisies<\/h3>\n <\/div>\n \n <\/figcaption>\n \n \n <\/figure>\n <\/a>\n <\/div>\n\t\t\t\t\t\t\t
\n \n
\n \n \"Dog\n
\n
\n

Dog Run<\/h3>\n <\/div>\n \n <\/figcaption>\n \n \n <\/figure>\n <\/a>\n <\/div>\n\t\t\t\t\t\t\t
\n \n
\n \n \"Weavers\n
\n
\n

Weavers of Patan<\/h3>\n <\/div>\n \n <\/figcaption>\n \n \n <\/figure>\n <\/a>\n <\/div>\n\t\t\t\t\t\t\t
\n \n
\n \n \"Non-Standard\n
\n
\n

Non-Standard Errors 2: Bigger and Even Less Standard<\/h3>\n <\/div>\n \n <\/figcaption>\n \n \n <\/figure>\n <\/a>\n <\/div>\n\t\t\t\t\t\t\t
\n \n
\n \n \"Fear\"\n
\n
\n

Fear<\/h3>\n <\/div>\n \n <\/figcaption>\n \n \n <\/figure>\n <\/a>\n <\/div>\n\t\t\t\t\t\t\t
\n \n
\n \n \"1\n
\n
\n

1 2 3 Red light, Green light<\/h3>\n <\/div>\n \n <\/figcaption>\n \n \n <\/figure>\n <\/a>\n <\/div>\n\t\t\t\t\t\t\t

\n\n\n\n\n\n\n
Angelo Raaijmakers<\/td>\nDirector<\/td>\n<\/tr>\n
Angelo Raaijmakers<\/td>\nWriter<\/td>\n<\/tr>\n
Ellen Havenith<\/td>\nProducer<\/td>\n<\/tr>\n
Joris Bulstra<\/td>\nDirector of Photography<\/td>\n<\/tr>\n
Hein van Rooij, Dennis van Beusekom, Jolanda van den Berg<\/td>\nKey Cast<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

 <\/p>\n\t\t\t\t <\/div>\n\t\t\t\t \n\t\t\t\t <\/div>\n\t\t\t\t \n\t\t\t\t <\/div>\n\t\t\t\t \n\t\t\t\t

\n\t\t\t\t \t\t\t\t <\/div>\n\t\t\t\t \n\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t

Mirrors<\/h2>

The short film “Mirrors” by award-winning director Paul Jerndal is showing Anis don Demina, Cecilia von Der Esch and Danny Saucedo as they meet their mirror images and their worst self-critical thoughts. Mirrors aim to draw attention to mental health and the importance of daring to share feelings and thoughts.<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n
Paul Jerndal<\/td>\nDirector<\/td>\n<\/tr>\n
Kim Nehzaty<\/td>\nProducer<\/td>\n<\/tr>\n
Joel Huml\u00e9n<\/td>\nMusic<\/td>\n<\/tr>\n
Johan Helmer<\/td>\nDop<\/td>\n<\/tr>\n
Cecilia von der Esch, Danny Saucedo, Anis don Demina<\/td>\nKey Cast<\/td>\n<\/tr>\n
Melinda Urbansdotter<\/td>\nSet Design<\/td>\n<\/tr>\n
Daniel Keith<\/td>\nGaffer<\/td>\n<\/tr>\n
Paul Jerndal<\/td>\nEditors<\/td>\n<\/tr>\n
Simon Vallin<\/td>\nEditors<\/td>\n<\/tr>\n
Paul Jerndal<\/td>\nWriter<\/td>\n<\/tr>\n
Martin Mighetto<\/td>\nSound Design<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

 <\/p>\n\t\t\t\t <\/div>\n\t\t\t\t \n\t\t\t\t <\/div>\n\t\t\t\t \n\t\t\t\t <\/div>\n\t\t\t\t \n\t\t\t\t

\n\t\t\t\t \t\t\t\t <\/div>\n\t\t\t\t \n\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t

The Days<\/h2>

In this emotional short film artist Sandro Cavazza (Aviciis friend) is having a conversation with himself about his emotions that led to ending his career as an artist.<\/p>\n\n\n\n\n\n\n
Paul Jerndal<\/td>\nDirector<\/td>\n<\/tr>\n
Sandro Cavazza<\/td>\nKey Cast<\/td>\n<\/tr>\n
Kim Nehzaty<\/td>\nProducer<\/td>\n<\/tr>\n
Johan Palm<\/td>\nCinematographer<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

 <\/p>\n\t\t\t\t <\/div>\n\t\t\t\t \n\t\t\t\t <\/div>\n\t\t\t\t \n\t\t\t\t <\/div>\n\t\t\t\t \n\t\t\t\t

\n\t\t\t\t \t\t\t\t <\/div>\n\t\t\t\t \n\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t

Words like violence<\/h2>

Three dancers are in the same room, but each in their own space. Each character shows glimpses of who she is and how they relate to a monologue-soundtrack that can be heard throughout the movie. For everyone the relationship with the text and the words are different. Gradually the voice breaks down, words tumble and meanings are lost. This has an impact on the dancers and the way they move. The tensions within the relationship with the voice come to a climax and something breaks. The dancers are free to move, free from words and semantic meaning. They breath and move as one organism and find ways to communicate in chaos and disharmony. The language moves to the background and loses its presence and impact. What remains is pure movement.<\/p>\n\n\n\n\n\n\n\n\n
Arjan Gebraad<\/td>\nDirector<\/td>\n<\/tr>\n
Arjan Gebraad<\/td>\nWriter<\/td>\n<\/tr>\n
Arjan Gebraad<\/td>\nProducer<\/td>\n<\/tr>\n
Ra\u00effa Bazzi, Tegest Pecht Guido, Anna Zurkirchen<\/td>\nKey Cast<\/td>\n<\/tr>\n
Kiki Henger<\/td>\nDOP, Edit, Colourist<\/td>\n<\/tr>\n
Luke Dean<\/td>\nSoundtrack<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

 <\/p>\n\t\t\t\t <\/div>\n\t\t\t\t \n\t\t\t\t <\/div>\n\t\t\t\t \n\t\t\t\t <\/div>\n\t\t\t\t \n\t\t\t\t

\n\t\t\t\t \t\t\t\t <\/div>\n\t\t\t\t \n\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t\t\t\t\t
\n\t\t\t\t
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\n\t\t\t\t

Living In A Bubble<\/h2>

LOGLINE:<\/p>\n

When two strangers feel isolated in the big city, they soon realise that their imagination is able to bring them anywhere they would like to go, despite all the obstacles of modern society.<\/p>\n

SYNOPSIS:
\nWho says it is easy to live in our modern world? Aren\u2019t we all a bit isolated in different ways? \u201cLiving in a bubble\u201d tells the story of two strangers, who live in the bubble they created for themselves, which doesn\u2019t allow them to connect to anything or anyone.<\/p>\n

Through their imagination and willpower however, they manage to break out of their isolation and open themselves up to the world. They find that there is much more out there than they would have thought and nature can be found in the most unexpected places.<\/p>\n

If we have enough courage to change our ways, we can re-discover what it feels like to be alive. Against all odds, miracles are still possible- if only we believe in them.<\/p>\n

German Films Quarterly:
\nhttps:\/\/www.germanfilmsquarterly.de\/short1_22_4.html<\/p>\n\n\n\n\n\n\n
Natalie MacMahon<\/td>\nDirector<\/td>\n<\/tr>\n
Nikola Drvoshanov<\/td>\nDirector<\/td>\n<\/tr>\n
Natalie MacMahon<\/td>\nWriter<\/td>\n<\/tr>\n
Natalie MacMahon<\/td>\nProducer<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

 <\/p>\n\t\t\t\t <\/div>\n\t\t\t\t \n\t\t\t\t <\/div>\n\t\t\t\t \n\t\t\t\t <\/div>\n\t\t\t\t \n\t\t\t\t

\n\t\t\t\t \t\t\t\t <\/div>\n\t\t\t\t \n\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t\t\t\t\t
\n\t\t\t\t
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Caroline on the roof<\/h2>

On National Day, a woman neglected for too long by those around her decides to desperately draw attention to herself.<\/p>\n\n\n\n\n\n\n
Alejandro Bordier<\/td>\nDirector<\/td>\n<\/tr>\n
Alejandro Bordier<\/td>\nWriter<\/td>\n<\/tr>\n
Jesus Gonzalez Calach Films<\/td>\nProducer<\/td>\n<\/tr>\n
Eugenie Anselin<\/td>\nKey Cast<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

 <\/p>\n\t\t\t\t <\/div>\n\t\t\t\t \n\t\t\t\t <\/div>\n\t\t\t\t \n\t\t\t\t <\/div>\n\t\t\t\t \n\t\t\t\t

\n\t\t\t\t \t\t\t\t <\/div>\n\t\t\t\t \n\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t
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Bazigaga<\/h2>

1994, Rwanda. As the civil war rages, Bazigaga takes in a father and daughter hunted by the militia.<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n
Jo Ingabire Moys<\/td>\nDirector<\/td>\n<\/tr>\n
Jo Ingabire Moys<\/td>\nWriter<\/td>\n<\/tr>\n
Boris Mendza<\/td>\nProducer<\/td>\n<\/tr>\n
Ga\u00ebl Cabouat<\/td>\nProducer<\/td>\n<\/tr>\n
Sonia Tardif d’Hamonville<\/td>\nProducer<\/td>\n<\/tr>\n
Valentin Leblanc<\/td>\nProducer<\/td>\n<\/tr>\n
Delphine Duez<\/td>\nProducer<\/td>\n<\/tr>\n
St\u00e9phanie Charmail<\/td>\nProducer<\/td>\n<\/tr>\n
Eliane Umuhire, Roger No\u00ebl Ineza, Ma\u00e9ly Mahavande, Ery Nzaramba<\/td>\nKey Cast<\/td>\n<\/tr>\n
Audrey Isma\u00ebl<\/td>\nComposer<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

 <\/p>\n\t\t\t\t <\/div>\n\t\t\t\t \n\t\t\t\t <\/div>\n\t\t\t\t \n\t\t\t\t <\/div>\n\t\t\t\t \n\t\t\t\t

\n\t\t\t\t \t\t\t\t <\/div>\n\t\t\t\t \n\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t\t\t\t\t
\n\t\t\t\t
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Yuvalo<\/h2>

After a violent incident, a young woman calls the police on her brother who suffers from manic depression, hoping they can finally provide a solution.<\/p>\n\n\n\n\n\n\n\n\n\n\n
Adi Nagar<\/td>\nDirector<\/td>\n<\/tr>\n
Adi Nagar<\/td>\nWriter<\/td>\n<\/tr>\n
Adi Nagar<\/td>\nProducer<\/td>\n<\/tr>\n
Noam Avisror, Shahar Mor Haim, Vered Daniel Amir, Miriam Mimi Gotsdiner<\/td>\nKey Cast<\/td>\n<\/tr>\n
Daniel Abergel, Aviv Nachshon<\/td>\nCinematographer<\/td>\n<\/tr>\n
Aviv Nachshon<\/td>\nEditor<\/td>\n<\/tr>\n
Elad Dvortchin<\/td>\nSound Design<\/td>\n<\/tr>\n
Hagit Ambar<\/td>\nExecutive Producer<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

 <\/p>\n\t\t\t\t <\/div>\n\t\t\t\t \n\t\t\t\t <\/div>\n\t\t\t\t \n\t\t\t\t <\/div>\n\t\t\t\t \n\t\t\t\t

\n\t\t\t\t \t\t\t\t <\/div>\n\t\t\t\t \n\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t\t\t\t\t
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Bury The Hatchet<\/h2>

June 1976 a day before the Soweto Uprising. Two brothers argue if one should join the historical protestor not. The argument turns into an emotional confession as their father attempts to give his sons’ perspective in their argument. Will the brothers join the protest and fight for what is right or stay home and be safe with family<\/p>\n\n\n\n\n\n\n
Siya Xaba<\/td>\nDirector<\/td>\n<\/tr>\n
Thulani Khaya Xaba<\/td>\nWriter<\/td>\n<\/tr>\n
Siya Xaba,Thulani Khaya Xaba<\/td>\nProducer<\/td>\n<\/tr>\n
Thulani Khaya Xaba, Wonder Ndlovu, Ndabenhle KaLinda Nsele, Siya Xaba<\/td>\nKey Cast<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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GUEST<\/h2>

When a guest is enthusiastically welcomed into her hosts\u2019 immaculate home, she is inspired to reciprocate with an unexpected introduction to her own world. The result is a surreal and often absurd navigation through familiarity and estrangement, observed through mannerisms and habits, which serve as a metaphor for the fabric connecting and dividing individuals. GUEST is a short film that mixes genres, blending dance, absurd comedy and drama with the inclusion of dialogue in the native languages of the cast.
\nLOGLINE:
\nThe humor of an unexpected visit turns surreal as the guest takes the host into her world.<\/p>\n\n\n\n\n\n\n\n\n\n\n
Regina Hofmanova<\/td>\nDirector<\/td>\n<\/tr>\n
Regina Hofmanova<\/td>\nWriter<\/td>\n<\/tr>\n
Regina Hofmanova, Barbora \u010cervenkov\u00e1, Renata Weidlichov\u00e1<\/td>\nProducer<\/td>\n<\/tr>\n
Daniele Iemolo, Ivona Szantov\u00e1<\/td>\nKey Cast<\/td>\n<\/tr>\n
Radek Loukota<\/td>\nDOP<\/td>\n<\/tr>\n
\u0160\u00e1rka Sklen\u00e1\u0159ov\u00e1<\/td>\nEditor<\/td>\n<\/tr>\n
Renata Weidlichov\u00e1<\/td>\ndesign and costumes<\/td>\n<\/tr>\n
Regina Hofmanova<\/td>\nChoreographer<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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Rutunn<\/h2>

Where is the line between memory and reality? Michele returns to his hometown \u201cRutunn\u2019\u201c, after many years and as an old man. Walking through the streets of his village he arrives at his old house, where memories emerge from the silence and dust: his son still young, his wife, music from another era and a terrace overlooking a limitless horizon. He sinks into the memory, he lives it as if it was all happening here and now.<\/p>\n\n\n\n\n\n\n
Fabio Patrassi<\/td>\nDirector<\/td>\n<\/tr>\n
Fabio Patrassi<\/td>\nWriter<\/td>\n<\/tr>\n
Image Hunters<\/td>\nProducer<\/td>\n<\/tr>\n
Giorgio Colangeli, Ludovico Tersigni, Anna Maria De Luca, Giorgia Palmucci<\/td>\nKey Cast<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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Gen Z Mental Health: Climate Stories<\/h2>

In this short documentary, Gen Z’ers from around the globe talk about how climate change affects their mental health, life choices, & their visions for the future. The Gen Z’ers featured in this documentary are climate ambassadors in their community, fighting against the government for their rights and finding joy through community action.<\/p>\n

They deal with the duality of feeling young and sometimes powerless, whilst being empowered by community action and the chance for real change. These young people share about their tools for emotional resilience in the face of climate change and the power of stories to deal with climate anxiety.<\/p>\n\n\n\n\n\n\n\n\n
Tehya Jennett<\/td>\nDirector<\/td>\n<\/tr>\n
Caroline Stella<\/td>\nProducer<\/td>\n<\/tr>\n
Sarah Newman<\/td>\nProducer<\/td>\n<\/tr>\n
Gregoire Labat<\/td>\nEdtor<\/td>\n<\/tr>\n
Maxfield Biggs<\/td>\nEdtor<\/td>\n<\/tr>\n
Laurel Tamayo<\/td>\nLine Producer<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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The Hunt<\/h2>

15 years have passed since that violent night, and Xavier\u2019s life is now idyllic.
\nBut today, Boris is being released from prison, causing the mysterious events of that night to come rushing back to haunt Xavier. He decides to find and confront this man who was his friend in hopes of finding out the truth about that night and the nightmarish crime on which his current happiness was built.<\/p>\n\n\n\n\n\n\n\n
yann Reuzeau<\/td>\nDirector<\/td>\n<\/tr>\n
Yann Reuzeau<\/td>\nWriter<\/td>\n<\/tr>\n
Sophie Vonlanthen<\/td>\nProducer<\/td>\n<\/tr>\n
Sophie Vonlanthen, Frederic Andrau, Morgan Perez, No\u00e9mie Dai\u00e8s, Emmanuel de Sablet, Meline Reuzeau<\/td>\nKey Cast<\/td>\n<\/tr>\n
Pamela Albarran<\/td>\nDOP<\/td>\n<\/tr>\n<\/tr>\n<\/tbody>\n<\/table>\n

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Sama Dilaut<\/h2>

Short:
\nForced to surrender their nomadic life, an indigenous community that once dwelled on houseboats for hundreds of years in the Sulu sea between Malaysia and the Philippines struggles to survive on land, facing limited resources and discrimination.<\/p>\n

Long:
\nIn a captivating journey, a community of nomadic sea gypsies, the Sama Dilaut, is discovered on the shores of Sabah, Malaysia, and the Philippines. Forced to leave their sea-dwelling life due to conflicts, environmental degradation, and the rise of commercial fishing, they face displacement, lack of basic human rights, and the harsh reality of statelessness. Amidst their struggle to survive and find one meal each day, they remain unaware of the looming threat that endangers their very existence\u2014climate change.<\/p>\n\n\n\n\n\n\n\n\n\n
Christine Ramos<\/td>\nDirector<\/td>\n<\/tr>\n
Bing F Nellasca<\/td>\nWriter<\/td>\n<\/tr>\n
Rhadem Musawah<\/td>\nProducer<\/td>\n<\/tr>\n
Liza Florida<\/td>\nKey Cast<\/td>\n<\/tr>\n
Stephen Tujon<\/td>\nCinamatographer<\/td>\n<\/tr>\n
Mikhail Pineda<\/td>\nEditor<\/td>\n<\/tr>\n
Nicole Bernice Limlengco<\/td>\nAssistant Writer\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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Elisabeth<\/h2>

Recurring dreams, death, a resonating name the keeps coming up\u2026
\nMr Bojac, widower since several months, feels like he\u2019s losing his mind! These images are oppressing to him. He desperately tries to understand their meaning and feels out of strength!<\/p>\n

Even Jo, who was brought here to help navigating the situation and find clarity, is going to involve him in a real psychological torment, and he will not spare him!<\/p>\n\n\n\n\n\n\n\n\n\n
Monica De Almeida<\/td>\nDirector<\/td>\n<\/tr>\n
Ludovic Dreyfuss<\/td>\nWriter<\/td>\n<\/tr>\n
Monica De Almeida<\/td>\nProducer<\/td>\n<\/tr>\n
Noellie Fantino<\/td>\nProducer<\/td>\n<\/tr>\n
J\u00e9r\u00f4me Sau, Ludovic Dreyfuss, Noellie Fantino, Greg Pedat<\/td>\nKey Cast<\/td>\n<\/tr>\n
Kevin Queille<\/td>\nMusic<\/td>\n<\/tr>\n
Lo\u00efc Gourbe<\/td>\nSound<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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Electric Light Orchestra – Yours Truly<\/h2>

A film by Martinez Swystun and Magda Zalecka to the idea of Michal Marcinik.
\nCreated in 2022 for song by from 1981.<\/p>\n

The story of a relationship between a girl and a boy addicted to modern VR technology. But is it for sure?<\/p>\n\n\n\n\n\n\n
Martinez Swystun<\/td>\nDirector<\/td>\n<\/tr>\n
Magda Zalecka<\/td>\nDirector<\/td>\n<\/tr>\n
Michal Marcinik<\/td>\nProducer<\/td>\n<\/tr>\n
Jessica Gladstone-Tuffney, Milo Max Burgess<\/td>\nProducer<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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Slaps<\/h2>

The mysteries of love and relationships boiled down to 90 seconds.<\/p>\n\n\n\n\n\n
Angela Chen<\/td>\nDirector<\/td>\n<\/tr>\n
Angela Chen<\/td>\nWriter<\/td>\n<\/tr>\n
Atsuko Okatsuka, Ryan Harper Gray, Towela Okwudire<\/td>\nKey Cast<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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SACE<\/h2>

Based on true events. In northern Nigeria, thousands of young women are kidnapped annually and sold into sex trafficking. Only a few of them escape. This is the story of one of those women who escaped.<\/p>\n\n\n\n\n\n\n\n
Ose Oyamendan<\/td>\nDirector<\/td>\n<\/tr>\n
Ose Oyamendan<\/td>\nWriter<\/td>\n<\/tr>\n
Ose Oyamendan<\/td>\nProducer<\/td>\n<\/tr>\n
Tongryang Pantu<\/td>\nProducer<\/td>\n<\/tr>\n
Antonieta Kalunta, Adam Garba, Miwa Olorunfemi<\/td>\nKey Cast<\/td>\n<\/tr>\n<\/tr>\n<\/tbody>\n<\/table>\n

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The City of Human Chess<\/h2>

After recovering from the pandemic, a small town in Northern Italy works collectively to revive Italy’s oldest chess tradition: a live human chess game.<\/p>\n\n\n\n\n\n
Cecilia Albertini<\/td>\nDirector<\/td>\n<\/tr>\n
Chandler Toffa<\/td>\nProducer<\/td>\n<\/tr>\n
Cecilia Albertini<\/td>\nProducer<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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Merman<\/h2>

Haunted by what she has seen while carrying out humanitarian work with refugees in the Mediterranean and traumatised by her experiences, Mari returns to her parents\u2019 coastal home in rural Suffolk. There, through an unlikely acquaintance, she discovers the medieval legend of the Merman. The truth behind this seemingly innocent myth is darker than Mari could imagine. Merman explores themes of prejudice and isolation against the breath-taking backdrop of the Suffolk coastal landscape. Mari finds herself questioning whether humanity will ever be accepting of outsiders or are they destined to suffer as the Merman did hundreds of years ago.<\/p>\n\n\n\n\n\n\n\n\n
Madeleine Wynn<\/td>\nDirector<\/td>\n<\/tr>\n
Madeleine Wynn<\/td>\nWriter<\/td>\n<\/tr>\n
Liz Cook<\/td>\nProducer<\/td>\n<\/tr>\n
Fiona Darrington<\/td>\nProducer<\/td>\n<\/tr>\n
Angela Hart<\/td>\nProducer<\/td>\n<\/tr>\n
Phil Davis, Alistair Petrie, Eleanor Grace, Lucy Scott, Danny Burford<\/td>\nKey Cast<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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Betrayal<\/h2>

A special war story between honor and conscience about the German-Dutch officer Ludwig Mengelberg. When he is transferred to the Netherlands, he decides to help a family who has people in hiding. As a result, Mengelberg not only puts his own life at risk, but also that of the family and the people in hiding he is trying to help.<\/p>\n\n\n\n\n\n\n\n\n
Thomas Nauw<\/td>\nDirector<\/td>\n<\/tr>\n
Dennis Bots<\/td>\nDirector<\/td>\n<\/tr>\n
Peter Nillesen<\/td>\nWriter<\/td>\n<\/tr>\n
Rob Camies<\/td>\nWriter<\/td>\n<\/tr>\n
Anton van de Koppel<\/td>\nProducer<\/td>\n<\/tr>\n
Peter Nillesen, Dirk Gunther Mohr, Andreas Lessig, Dennis van Ooyen, Ingrid Bisschop Bisschop, Gerhard Meijer, Kai Kolder, Berit van de Wouw<\/td>\nKey Cast<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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Walking with M<\/h2>

Amidst an atmosphere of divisiveness, and growing fear between communities, Sri M (Mumtaz Ali) a Modern-Day Yogi, Spiritual Author, and Teacher, chooses peace over violence and takes up a 7500km padyatra which becomes the longest peace-march in history, reviving an old mission to re-kindle India’s ancient values of compassion, acceptance and human understanding. Through this journey, he and his co-walkers meet with people of all faiths and identities, walking 7500km across villages towns and cities, addressing the diverse Indian population to restore the idea of humanity amidst a violent socio-political atmosphere.
\nThe film explores this genuine apolitical attempt for peace as key speakers and co-walkers from diverse backgrounds associated with the movement narrate their experiences with Sri M (Mumtaz Ali) on this incredibly challenging and complex journey walking across multiple terrains and weather conditions from Kanyakumari to Kashmir.
\nThe film also traces the journey of how a silent grass-rooted movement, became the longest and the most inclusive peace-march in the modern world, by bringing together leaders and warring communities from different backgrounds and political leanings, on the same stage, which was received and loved by over 10million people across so many diverse communities through the Indian heartland.
\nFinally the film lays emphasis on the microcosmic idea of an inner-journey, by acceptance of ‘the other who is walking together’ which is reflected through the Walk of Hope movement itself, illustrating the necessity for a change of heart within the individual, the most critical catalyst for bringing socio-political change across the world.<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
Akash Sagar Chopra<\/td>\nDirector<\/td>\n<\/tr>\n
Sri M (Mumtaz Ali), Harish Khare, Sharad Bhattatripad, Siddiq Wahid, Narayani Ganeshan, Yousser Lejmi, Balaji Kashyap, Venkatesh Natarajan, Radhakrishna Y.N., Ambika Rao, CV Kunhiraman, Col. Shekhawat, Shrikrishna Kulkarni, Ajay Kumar Singh, Prashant Thacker, Mrs. Archana Shekhawat As Herself, Shrikrishna G Kulkarni As Himself, Dr. Chandrakant Pandav As Himself, Jay Chandran As Himself, Bhavani Devi As Herself, Deepa Dogra As Herself, Mahender Borana As Himself, Padmaraj G.B. As Himself, Pranav Kumar As Himself<\/td>\nKey Cast<\/td>\n<\/tr>\n
Akash Sagar Chopra<\/td>\nProducer<\/td>\n<\/tr>\n
Moti Sagar<\/td>\nProducer<\/td>\n<\/tr>\n
Amrit Sagar<\/td>\nProducer<\/td>\n<\/tr>\n
Meenakshi Sagar<\/td>\nProducer<\/td>\n<\/tr>\n
Manish Desai<\/td>\nProducer<\/td>\n<\/tr>\n
Mahesh Mehta<\/td>\nProducer<\/td>\n<\/tr>\n
Jayant Sood<\/td>\nProducer<\/td>\n<\/tr>\n
Rangoli Agarwal<\/td>\nDirector of Photography<\/td>\n<\/tr>\n
Akash Sagar Chopra<\/td>\nDirector of Photography<\/td>\n<\/tr>\n
Anmol Karnik<\/td>\nDirector of Photography<\/td>\n<\/tr>\n
Shanavas P.N.<\/td>\nDirector of Photography<\/td>\n<\/tr>\n
Sijo George<\/td>\nDirector of Photography<\/td>\n<\/tr>\n
Nikhil Varghese<\/td>\nDirector of Photography<\/td>\n<\/tr>\n
Gurpal Singh<\/td>\nWriter<\/td>\n<\/tr>\n
Akash Sagar Chopra<\/td>\nEditor<\/td>\n<\/tr>\n
Priya Panda<\/td>\nEditor<\/td>\n<\/tr>\n
Viral Vajani<\/td>\nEditor<\/td>\n<\/tr>\n
Amrit Sagar<\/td>\nContributing Editors<\/td>\n<\/tr>\n
Anmol Karnik<\/td>\nContributing Editors<\/td>\n<\/tr>\n
Akash Sagar Chopra<\/td>\nAnimation Director<\/td>\n<\/tr>\n
Devika Nagarkar<\/td>\nConcept Art and Lead Painter<\/td>\n<\/tr>\n
Sameer Dyer<\/td>\nIllustration and Frame Color<\/td>\n<\/tr>\n
Dipesh Upadhaya<\/td>\nExcecutive Producer<\/td>\n<\/tr>\n
The Satsang Foundation<\/td>\nArchivals<\/td>\n<\/tr>\n
Manav Ekta Mission<\/td>\nArchivals<\/td>\n<\/tr>\n
Shobha Reddy<\/td>\nArchivals<\/td>\n<\/tr>\n
Prakash Singade<\/td>\nAdditional Cinematography<\/td>\n<\/tr>\n
Saurabh Jain<\/td>\nRig Operation<\/td>\n<\/tr>\n
Sanjay Mishra<\/td>\nSound Recordist<\/td>\n<\/tr>\n
Shantanu Akerkar<\/td>\nSound Designer<\/td>\n<\/tr>\n
Dinesh Uchil<\/td>\nSound Designer<\/td>\n<\/tr>\n
Siddhesh Sardesai<\/td>\nSound Editor<\/td>\n<\/tr>\n
Ishwari Deshpande<\/td>\nAssistant Sound Editor<\/td>\n<\/tr>\n
Vinayak Gupta<\/td>\nAssistant Sound Editor<\/td>\n<\/tr>\n
Nazir Hamsa Poker<\/td>\nFoley FX<\/td>\n<\/tr>\n
Prallesh Nayak<\/td>\nADR & Foley Recordist<\/td>\n<\/tr>\n
Chinmay Tipnis<\/td>\nAsst. Mixing Engineer<\/td>\n<\/tr>\n
Akash Sagar Chopra<\/td>\nMusic<\/td>\n<\/tr>\n
Pankaj Awasthi<\/td>\n“Sadho Dekho Jag Baurana” Performed by<\/td>\n<\/tr>\n
Nine-V Post<\/td>\nColor Services by<\/td>\n<\/tr>\n
Nine-V Post<\/td>\nColor Services by<\/td>\n<\/tr>\n
Adee Sardali<\/td>\nColorists<\/td>\n<\/tr>\n
June Tan<\/td>\nColorists<\/td>\n<\/tr>\n
Praveena G<\/td>\nColorists<\/td>\n<\/tr>\n
James Brooks<\/td>\nDigital Intermediate Coordination<\/td>\n<\/tr>\n
Jeff Kober<\/td>\nSpecial Mention<\/td>\n<\/tr>\n
Adelle Slaughter<\/td>\nSpecial Mention<\/td>\n<\/tr>\n
George Stelzner<\/td>\nSpecial Mention<\/td>\n<\/tr>\n
Naresh Raman<\/td>\nSpecial Mention<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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Till I pass out<\/h2>

The story follows a path of a person whose life was shattered by war – she lost her home city, the home itself, and she loved one. She tries to find an answer to a question: how do you carry on with your life, and what for?<\/p>\n\n\n\n\n\n
Kateryna Holovko<\/td>\nDirector<\/td>\n<\/tr>\n
Vladyslav Kikhtenko<\/td>\nProducer<\/td>\n<\/tr>\n
Margarita Melnichuk<\/td>\ncinematographer<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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Books Not Bombs<\/h2>

Whilst the war is raging in Ukraine, a group of educators are working to continue the education reform they strongly believe in.<\/p>\n

They are facing several challenges: There were no funds to print the textbook, several authors had to stop because of the war, and those authors who are still working, are doing so under very challenging circumstances.<\/p>\n\n\n\n\n
Stefano Di Pietro<\/td>\nDirector<\/td>\n<\/tr>\n
Euroclio<\/td>\nProducer<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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Climate Emergency: Feedback Loops<\/h2>

Subtitled in 32 languages and narrated by Richard Gere, Climate Emergency: Feedback Loops is a series of five short films, featuring twelve leading climate scientists, that explores how human-caused emissions are triggering nature\u2019s own warming loops. We submit the five shorts to your festival (total 57:44) for screening of any or all of the films.<\/p>\n

The film series had its official launch with the Dalai Lama, Greta Thunberg and world-renowned scientists in a webcast, \u201cThe Dalai Lama with Greta Thunberg and Leading Scientists: A Conversation on the Crisis of Climate Feedback Loops.\u201d https:\/\/www.youtube.com\/watch?v=u9GXgOMMeTg<\/p>\n

While scientists stay up worrying about this most dangerous aspect of climate change, the public has little awareness or understanding of feedback loops. Climate change discussion at all levels of society largely leaves out the most critical dynamic of climate change itself. It is urgent we remedy this.<\/p>\n

The first film in the series, Introduction (13:09), provides an overview of the feedback loop problem. The four other short films explore important climate feedback mechanisms: Forests (14:10), Permafrost (10:55), Atmosphere (8:45) and Albedo (10:35).<\/p>\n

Greenhouse gases from fossil fuels, such as carbon dioxide and methane, are warming the planet. This warming is then setting in motion dozens of feedback mechanisms, which then feed upon themselves, as well as interact with each other and spiral further out of control. These processes are rapidly accelerating climate change.<\/p>\n

An example of a climate feedback loop is the melting of the permafrost. In the Northern Hemisphere, permafrost makes up nearly 25% of the landmass. As heat-trapping emissions warm the Earth, this frozen tundra is melting. As it does, large amounts of carbon dioxide and methane are released, which further warm the planet, melting more permafrost in a self-perpetuating loop.<\/p>\n

Human activity kicks off these feedback loops, but once set in motion, they become self-sustaining. The danger is that this process reaches a tipping point beyond which it is extremely difficult to recover. This is why it is urgent to reduce greenhouse gas emissions so we can slow, halt and even reverse these feedbacks and cool the planet.<\/p>\n\n\n\n\n\n\n\n\n\n
Susan Gray<\/td>\nDirector<\/td>\n<\/tr>\n
Bonnie Waltch<\/td>\nWriter<\/td>\n<\/tr>\n
Susan Gray<\/td>\nWriter<\/td>\n<\/tr>\n
Bonnie Waltch<\/td>\nProducer<\/td>\n<\/tr>\n
Barry Hershey<\/td>\nProducer<\/td>\n<\/tr>\n
Richard Gere<\/td>\nNarration<\/td>\n<\/tr>\n
Melanie Wallace<\/td>\nOutreach Producer<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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Soep<\/h2>

A castaway and the ocean in a confrontational walz.<\/p>\n

A castaway is trapped on a small sandbank. One day he digs a plastic masonry tub out of the sand and tries to escape the island with it. However, the sea has other plans and takes the castaway on a confrontational excursion.<\/p>\n\n\n\n\n\n
Christa Moesker<\/td>\nDirector<\/td>\n<\/tr>\n
Christa Moesker<\/td>\nWriter<\/td>\n<\/tr>\n
martin venema<\/td>\nProducer<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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BENTOBOX<\/h2>

Think Pixar’s Bao meets A24’s Minari.<\/p>\n

BENTOBOX is a short film written by Vic Hirakawa-Lee. It tells a story about Tim Benson, a ten-year old child of half Japanese-half American decent living with his immigrant mother, Okaasan, who prepares him lunches in the form of bentos. What she doesn’t know is that he’s teased and bullied for these lunches at school. Looking to run with the cool kids, Tim abandons his mother’s cooking and searches for American snacks to indulge on instead. With his father away overseas, Tim searches for his identity between his cultural Japanese household from the town he’s supposed to fit into, rejecting his mother entirely in the process.<\/p>\n\n\n\n\n\n\n
Olivia Owyeung<\/td>\nDirector<\/td>\n<\/tr>\n
Vic Hirakawa-Lee<\/td>\nWriter<\/td>\n<\/tr>\n
Vic Hirakawa-Lee<\/td>\nProducer<\/td>\n<\/tr>\n
Karin Okada, Riley Hashimoto<\/td>\nKey Cast<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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Belonging<\/h2>

The short documentary is about four young Ukrainian female students, who, together with 26 others, were brought from Kyiv to Amsterdam in March 2022 by a professor from the Vrije Universiteit Amsterdam, so that they could complete their studies there and be safe. In the film, we explore the professor’s role and motivation and show the girl’s current lives in Amsterdam, while diving into the true meaning of ‘belonging’. The girls share their perspectives on what home means to them, (not) feeling at home, cultural differences, the feeling of guilt, everyday uncertainty and whether they can imagine a future in the Netherlands or where they think they actually belong.
\nThe film is non-political. It aims to promote empathy and awareness within the audience and to make the viewer reflect on their own sense of belonging.<\/p>\n\n\n\n\n\n\n\n\n\n
Michelle Traurig<\/td>\nDirector<\/td>\n<\/tr>\n
Roos Cals<\/td>\nDirector<\/td>\n<\/tr>\n
Roos Cals<\/td>\nWriter<\/td>\n<\/tr>\n
Michelle Traurig<\/td>\nWriter<\/td>\n<\/tr>\n
Michelle Traurig<\/td>\nProducer<\/td>\n<\/tr>\n
Roos Cals<\/td>\nProducer<\/td>\n<\/tr>\n
Alina Balon, Anna Hurina, Dasha Denysiuk, Dasha Hovorukha, Kilian Wawoe<\/td>\nKey Cast<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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Endurance<\/h2>

‘Whether it’s running a marathon, climbing a mountain, or simply making it through a difficult day, endurance is what enables people to persist and succeed. Without it, people would give up at the first sign of difficulty.<\/p>\n

Endurance is a film about the power of perseverance and the resilience of the human spirit in the face of challenging circumstances.
\nIt examines the journey of life itself, the physical and emotional aspects of endurance, exploring the ups and downs, the triumphs and failures, and the moments of joy and sorrow that define the human experience. A testament to the idea that with hard work, determination, and the inherent drive to keep going despite adversity, anything is possible.<\/p>\n

Through the role of community and the support of others, this film aims to evoke a sense of wonder, hope, and renewal, encouraging audiences to embrace life’s journey with courage and determination.’<\/p>\n\n\n\n\n\n
Imre van Opstal<\/td>\nDirector<\/td>\n<\/tr>\n
Imre van Opstal<\/td>\nWriter<\/td>\n<\/tr>\n
Batsheva Dance Company<\/td>\nKey Cast<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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Indo’s Silence<\/h2>

Three artists try to break the generational silence in their families about their colonial past in Dutch Indonesia.<\/p>\n\n\n\n\n\n
Sven Peetoom<\/td>\nDirector<\/td>\n<\/tr>\n
Juliette Dominicus<\/td>\nDirector<\/td>\n<\/tr>\n
Dobber Bolhuis<\/td>\nProducer<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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Traces of the Future – Herman van Doorn<\/h2>

Traces of the Future is a documentary portrait of Dutch photographer Herman van Doorn, who has been taking photos for over 40 years now. Herman specialised in architectural photography, but in recent years has concentrated more and more on expressing his own ideals through his photos.<\/p>\n

One such undertaking is his work in Venice, where he is documenting traditional trades and workplaces, which are at risk of disappearing. Reasons include mass tourism and cheap \u2018replicas\u2019 of the traditional Venetian products.<\/p>\n

Through his photos, Herman makes us question what we are busy with as individuals and as a society. The documentary is divided between his time in Venice and his time in Utrecht, the Netherlands.<\/p>\n

Apart from English, an Italian and a Dutch version are also available.<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
Suzanne van Leendert<\/td>\nDirector<\/td>\n<\/tr>\n
Suzanne van Leendert<\/td>\nWriter<\/td>\n<\/tr>\n
Suzanne van Leendert (U&Eye Media Productions)<\/td>\nProducer<\/td>\n<\/tr>\n
Barry Mc Cabe<\/td>\nProducer<\/td>\n<\/tr>\n
Suzanne van Leendert<\/td>\nCamera Venice<\/td>\n<\/tr>\n
Daan Jongbloed<\/td>\nCamera Utrecht<\/td>\n<\/tr>\n
Suzanne van Leendert<\/td>\nCamera Utrecht<\/td>\n<\/tr>\n
Barry Mc Cabe<\/td>\nSound<\/td>\n<\/tr>\n
Ozan Ol\u00e7ay<\/td>\nEditing<\/td>\n<\/tr>\n
Giulia Monteverde<\/td>\nItalian Translation<\/td>\n<\/tr>\n
Barry Mc Cabe,Suzanne van Leendert<\/td>\nEnglish Translation<\/td>\n<\/tr>\n
Andr\u00e9 de Laat, Suzanne van Leendert<\/td>\nColour Correction<\/td>\n<\/tr>\n
Ralph de Lange<\/td>\nAudio Mix<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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An die Musik<\/h2>

“An die Musik” by Franz Schubert, performed by the Take 4 Guitar Quartet, in an original arrangement for guitars. A musical stroll through southern Europe.<\/p>\n\n\n\n\n\n\n
Eric Vander Borght<\/td>\nDirector<\/td>\n<\/tr>\n
Eric Vander Borght<\/td>\nWriter<\/td>\n<\/tr>\n
Eric Vander Borght<\/td>\nProducer<\/td>\n<\/tr>\n
Luc Vander Borght, Giorgio Albiani, Johan Fostier, V\u00e9ronique Sulbout<\/td>\nKey Cast<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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BITTER<\/h2>

Four friends become unlikely bystanders to an incident of domestic violence.<\/p>\n\n\n\n\n\n\n\n\n
Burak Oguz Saguner<\/td>\nDirector<\/td>\n<\/tr>\n
Burak Oguz Saguner<\/td>\nWriter<\/td>\n<\/tr>\n
Emma Doxiadi<\/td>\nProducer<\/td>\n<\/tr>\n
Mert Guncuer<\/td>\nProducer<\/td>\n<\/tr>\n
Burak Oguz Saguner<\/td>\nProducer<\/td>\n<\/tr>\n
Selver K\u0131n\u0131k Onurlu, Filiz Demiralp, Gursan Piri Onurlu, Mehmet Demiralp<\/td>\nKey Cast<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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LOS<\/h2>

Lena’s estranged brother doubts her ability to carry on their mother’s legacy as the Toothfairy, forcing Lena to choose between her comfortable life or reconnecting with her brother by taking on this magical responsibility.<\/p>\n

Synopsis:
\nLena has a smoke while she waits at the gate of a large estate. Her brother Edward opens the gate for her after they’ve been apart for a long time. They enter the house where their deceased mother is laid out\u2014the reason for Lena’s return to the family manor. She left it behind long ago, but Edward stayed with their mother all this time. Together they must arrange a funeral and deal with something way more important: Lena’s inheritance of her mother’s responsibilities. She will have to become the new Toothfairy, collecting children’s baby teeth as has happened for generations. Lena is not amused by this new task, which strains the relationship between her and Edward.
\nReluctantly, Lena puts on the tooth fairy’s dress and tries out the work, to no avail. She feels little responsibility for the job, partly due to becoming estranged from her mother over the years.
\nTensions rise between brother and sister with the upcoming funeral as they risk permanently losing each other.<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n
Karlijn Koel<\/td>\nDirector<\/td>\n<\/tr>\n
Jelle Tigchelaar<\/td>\nWriter<\/td>\n<\/tr>\n
Ferdi \u00c7elik<\/td>\nProducer<\/td>\n<\/tr>\n
Willemijn de Jonge, Fokke Baarssen<\/td>\nKey Cast<\/td>\n<\/tr>\n
Luuk de Kok<\/td>\nDirector of Photography<\/td>\n<\/tr>\n
Maarten in ‘t Hout<\/td>\nEditor<\/td>\n<\/tr>\n
Rob Peters<\/td>\nComposer<\/td>\n<\/tr>\n
Emma van Loon<\/td>\nProduction Design<\/td>\n<\/tr>\n
Daan Moerkens<\/td>\nSound Design & mixage<\/td>\n<\/tr>\n
Thijs Buwalda<\/td>\nSound Design & mixage<\/td>\n<\/tr>\n
Madelief Blanken<\/td>\nCasting<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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Eggshells<\/h2>

Nick and Bianca have been trying to make it work as a couple. They have both changed who they are to appear more likeable to the other person and have lost themselves along the way. Nick and Bianca have turned into everything they think makes them good people (vegan, recycling, climate-friendly) for all the wrong reasons. Both are pretending to be happy in this absolutely miserable relationship. Their world of make-believe comes crashing down when an egg appears on the kitchen table of this strictly vegan household.<\/p>\n

Shot in Limerick, Ireland.
\nDutch Synopsis and logline available. Dutch and English subtitles for accessibility available.<\/p>\n\n\n\n\n\n\n\n\n\n
Natasja Schaafsma<\/td>\nDirector<\/td>\n<\/tr>\n
Natasja Schaafsma<\/td>\nWriter<\/td>\n<\/tr>\n
Ian Brew, Natasja Schaafsma, Conor O Dwyer<\/td>\nKey Cast<\/td>\n<\/tr>\n
Shane Gerard<\/td>\nSound Recordist<\/td>\n<\/tr>\n
Conor O Dwyer<\/td>\nProduction Assistant<\/td>\n<\/tr>\n
Mij Al Hajri<\/td>\nDOP<\/td>\n<\/tr>\n
Mij Al Hajri<\/td>\nEditing<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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Up Close Again<\/h2>

Melanie drives a taxi in Amsterdam. She likes the work for the independence and freedom it offers her, and generally she likes interacting with her passengers. But on this night she picks up someone she knows. Dennis, who she was once intimate with but who went way too far and abused her trust and her body. In the safety of her own cab Melanie seizes the opportunity to have a conversation she would otherwise never have dared to initiate. A conversation about boundaries, about consent, about differing interpretations of the same evening.<\/p>\n\n\n\n\n\n\n\n\n\n
Kristjan Knigge<\/td>\nDirector<\/td>\n<\/tr>\n
Alice Eefting<\/td>\nWriter<\/td>\n<\/tr>\n
Frank van den Heuvel<\/td>\nProducer<\/td>\n<\/tr>\n
Alice Eefting, Ayrton Kirchner, Esther van der Werf, <\/td>\nKey Cast<\/td>\n<\/tr>\n
Luuk de Kok<\/td>\nCinematography<\/td>\n<\/tr>\n
Nick Verschoor<\/td>\nMusic<\/td>\n<\/tr>\n
Jessy P\u00e9rukel<\/td>\nEdit<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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Daisies<\/h2>

A man on his deathbed is mysteriously called into the vast fields and rolling hills of the Unknown. With only an oxygen tank and a dog clicker, he must take one final journey to encounter his long lost love, and finally free himself from his past.<\/p>\n\n\n\n\n\n\n\n
Andr\u00e9s Emedan<\/td>\nDirector<\/td>\n<\/tr>\n
Andr\u00e9s Emedan<\/td>\nWriter<\/td>\n<\/tr>\n
Andr\u00e9s Emedan<\/td>\nProducer<\/td>\n<\/tr>\n
Kyu Jin Jang<\/td>\nProducer<\/td>\n<\/tr>\n
Russ Consaul, Sean Michael Conway, H. Lynn Pai, Mary Huff<\/td>\nKey Cast<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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Dog Run<\/h2>

A silent man is lifted out of a life of exploitation through an unexpected bond with guard dog, Sabre, and the healing power of nature.<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
Lorna Nickson Brown<\/td>\nDirector<\/td>\n<\/tr>\n
Lorna Nickson Brown<\/td>\nWriter<\/td>\n<\/tr>\n
Lorna Nickson Brown<\/td>\nProducer<\/td>\n<\/tr>\n
Dom Riley<\/td>\nProducer<\/td>\n<\/tr>\n
Sid Phoenix<\/td>\nKey Cast<\/td>\n<\/tr>\n
Paula Wharton<\/td>\nKey Cast<\/td>\n<\/tr>\n
Galina Chakarova<\/td>\nEditor<\/td>\n<\/tr>\n
Lorena Pag\u00e8s<\/td>\nCinematography<\/td>\n<\/tr>\n
Mea Carter<\/td>\nProduction Design<\/td>\n<\/tr>\n
Jake Fielding<\/td>\nSound<\/td>\n<\/tr>\n
Tim Cavagin<\/td>\nSound<\/td>\n<\/tr>\n
Joseph Nickson<\/td>\nVisual Effects<\/td>\n<\/tr>\n
Jonathan Escoto Brown<\/td>\nMusic<\/td>\n<\/tr>\n
Tom Lucy<\/td>\nStunts<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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Weavers of Patan<\/h2>

“Weavers of Patan” is a captivating short documentary set in the ancient city of Patan, India. This film explores the 500-year-old art of Mashru weaving, which is being kept alive by the last generation of weavers. Through intimate storytelling, viewers witness the daily lives of one of the families from Patan, their dedication to their craft, and the cultural significance they uphold. As the weavers create intricate textiles, the film reveals their struggles and triumphs in preserving their heritage. “Weavers of Patan” is a call to action, shedding light on the importance of protecting endangered crafts and their role in cultural preservation. This heartfelt tribute invites audiences to cherish tradition and recognize the impact of individual efforts in safeguarding our shared heritage.<\/p>\n\n\n\n\n\n\n\n\n\n\n\n
KIRAN KESHAV<\/td>\nDirector<\/td>\n<\/tr>\n
KIRAN NADAR MUSEUM OF ART<\/td>\nProducer<\/td>\n<\/tr>\n
RAKESH S ANAND<\/td>\nCINEMATOGRAPHY<\/td>\n<\/tr>\n
ARUN BHASKAR<\/td>\nCINEMATOGRAPHY<\/td>\n<\/tr>\n
DAWN VINCENT<\/td>\nMUSIC<\/td>\n<\/tr>\n
ADHIL M ASHRAF<\/td>\nEDITOR<\/td>\n<\/tr>\n
JOYNER THOMAS<\/td>\nCOLORIST<\/td>\n<\/tr>\n
NEETHU MOHANDHAS<\/td>\nSOUND DESIGNER<\/td>\n<\/tr>\n
SOMYA ARORA<\/td>\nPROJECT COORDINATOR<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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Non-Standard Errors 2: Bigger and Even Less Standard<\/h2>

Professor Albert J. Menkveld and comedian Sammy Obeid meet again.<\/p>\n\n\n\n\n\n\n
Andra Tevy<\/td>\nDirector<\/td>\n<\/tr>\n
David Stolin<\/td>\nWriter<\/td>\n<\/tr>\n
David Stolin<\/td>\nProducer<\/td>\n<\/tr>\n
Albert J. Menkveld, Sammy Obeid<\/td>\nKey Cast<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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Fear<\/h2>

A small film adaption of the screenplay ‘Fear’ written by Greg Nelson.<\/p>\n\n\n\n\n\n\n
John Kearey<\/td>\nDirector<\/td>\n<\/tr>\n
Greg Nelson<\/td>\nWriter<\/td>\n<\/tr>\n
Michael Connelly<\/td>\nProducer<\/td>\n<\/tr>\n
Lorna Wijma, Elske Toot<\/td>\nKey Cast<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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1 2 3 Red light, Green light<\/h2>
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Grandpa capybara traveled from South America to Taiwan in Asia. He likes the life of soaking in hot springs in the forest, and his grandchild Gogou likes Taiwanese food.
\nTaiwan is one of the best places in the world for hot springs, and Grandpa has traveled from the south to the north to soak in all kinds of hot springs, cold springs, and turbid springs. ..as they walking and walking, Gogou often gets hit by the fruit, which came from trees planted by predecessors; soaking and soaking, the grandpa capybara and grandchild capybara seeing that the forest is getting smaller and smaller, and the homeland is in jeopardy…
\n“1 2 3 Red light, Green light”, Look back and see who moved? A global citizen must see, nobody can avoid it.
\nThis is an animated movie that cares for the ecology and blood ties, and is inseparable from our lives.\u2014\u2014Nternational Animation Awards Winning Director Chen Liang Yu
\nScenarist-director, drawn, dubbed, soundtracked, independent production.<\/p>\n

This film is part of Chen Liang Yu’s ecological art series, echoing the United Nations Sustainable Development Goals (SDGs).<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

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Director Biography –\u00a0Liangyu Chen<\/span><\/div>\n
<\/div>\n<\/div>\n<\/div>\n\n\n\n\n\n\n
Liangyu Chen<\/td>\nDirector<\/td>\n<\/tr>\n
Liangyu Chen<\/td>\nWriter<\/td>\n<\/tr>\n
Liangyu yu<\/td>\nProducer<\/td>\n<\/tr>\n
Capybara Grandpa, Capybara Grandson, Real Grandpa, Real Grandson<\/td>\nKey Cast<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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Fever Dream<\/h2>

Young adult Mees decides to move to his grandmother in a village for his recovery. His search for rest turns out not to be as peaceful as he had hoped: Small events unleash a new psychosis, in which the line between madness and reality blurs. This film takes you inside Mees’ confusing reality and, in doing so, aims to create understanding of this common mental state.<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
Corne Kosse<\/td>\nKey Cast<\/td>\n<\/tr>\n
Roman Hageman<\/td>\nDirector<\/td>\n<\/tr>\n
Sam Tengbergen<\/td>\nWriter<\/td>\n<\/tr>\n
Roman Hageman<\/td>\nWriter<\/td>\n<\/tr>\n
Carla Wolbers<\/td>\nProducer<\/td>\n<\/tr>\n
Jetze Koper<\/td>\nExecutive Producer<\/td>\n<\/tr>\n
Mirte de Bruijne<\/td>\nExecutive Producer<\/td>\n<\/tr>\n
Martijn Pot<\/td>\nDirector of Photography<\/td>\n<\/tr>\n
Ina van Beek<\/td>\n1st A.D.<\/td>\n<\/tr>\n
Geert Gritter<\/td>\nSound<\/td>\n<\/tr>\n
Peter Reese<\/td>\nGaffer<\/td>\n<\/tr>\n
Lisa van den Berg<\/td>\nProduction Design<\/td>\n<\/tr>\n
Yvonne Dijkstra<\/td>\nProduction Design<\/td>\n<\/tr>\n
Diana de Boer<\/td>\nHair, Make-up & Costume<\/td>\n<\/tr>\n
Roeland Dijksterhuis<\/td>\nEdit<\/td>\n<\/tr>\n
Renger Koning<\/td>\nMusic<\/td>\n<\/tr>\n
Bas Metz<\/td>\nSound Design<\/td>\n<\/tr>\n
Wart Wamsteker<\/td>\nMixing and dialogue edit<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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Sagarmatha Next<\/h2>

A small organization of local Sherpa set out to solve the problem of waste management around Mt. Everest. Facing an explosive expansion of tourism in the last few decades, they work to turn the tide of trash and plastic from the mountains – one visitor at a time.<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n
Martin Ivar Edstr\u00f6m<\/td>\nDirector<\/td>\n<\/tr>\n
Martin Ivar Edstr\u00f6m<\/td>\nWriter<\/td>\n<\/tr>\n
Fredrik Ivar Edstr\u00f6m<\/td>\nProducer<\/td>\n<\/tr>\n
Pemba Gyalzen Sherpa, Dawa Yangzum Sherpa, Ang Dorjee Sherpa,<\/td>\nKey Cast<\/td>\n<\/tr>\n
Conrad Anker<\/td>\nVoice<\/td>\n<\/tr>\n
Oliver Akermo<\/td>\nDirector of Photography<\/td>\n<\/tr>\n
Oliver Akermo<\/td>\nColor<\/td>\n<\/tr>\n
Mimmi Muskos<\/td>\nColor<\/td>\n<\/tr>\n
Oliver Akermo<\/td>\nEditor<\/td>\n<\/tr>\n
Oliver Akermo<\/td>\nAudio mix<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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Entgen Luyten’s Executioner<\/h2>

1674 Limbricht. An authority-fearing executioner tortures an alleged witch in hearings to force her to confess. When he becomes convinced of her innocence, his understanding of duty collapses.<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
Gideon van Eeden<\/td>\nDirector<\/td>\n<\/tr>\n
Gideon van Eeden<\/td>\nWriter<\/td>\n<\/tr>\n
Dave Damon<\/td>\nProducer<\/td>\n<\/tr>\n
Martijn Daamen<\/td>\nProducer<\/td>\n<\/tr>\n
CineSud<\/td>\nProducer<\/td>\n<\/tr>\n
Mitchell Havelaar, Kiki van Aubel, Lucas Tavernier, Timo Mommers, Rufus Hegeman, Martijn Daamen<\/td>\nKey Cast<\/td>\n<\/tr>\n
Robert M. Berger (NSC)<\/td>\nDirector of Photography<\/td>\n<\/tr>\n
Robin Reuvekamp<\/td>\n1st AC<\/td>\n<\/tr>\n
Menno Habets<\/td>\n2nd AC<\/td>\n<\/tr>\n
Mario Dirkx<\/td>\nGaffer<\/td>\n<\/tr>\n
Leard Muriqi<\/td>\nBest Boy<\/td>\n<\/tr>\n
Milan Porter<\/td>\nLighting Assistant<\/td>\n<\/tr>\n
Ivo Bemelmans<\/td>\nSound Recordist<\/td>\n<\/tr>\n
Dave Damon<\/td>\n1st AD<\/td>\n<\/tr>\n
Marieke van de Sanden<\/td>\nScript Continuity<\/td>\n<\/tr>\n
Kim Hotterbeekx<\/td>\nArt Director<\/td>\n<\/tr>\n
Dionne Blokland<\/td>\nSet Dresser<\/td>\n<\/tr>\n
Veerle Houben<\/td>\nAssistant Art Director<\/td>\n<\/tr>\n
Merel van der Lande<\/td>\nMUA<\/td>\n<\/tr>\n
Inez Coonen<\/td>\nWardrobe Designer<\/td>\n<\/tr>\n
Eron Sheean<\/td>\nSet Builder<\/td>\n<\/tr>\n
Marie Lormeau<\/td>\nHealth & Safety Officer<\/td>\n<\/tr>\n
Niels Hollands<\/td>\nLocation Manager<\/td>\n<\/tr>\n
Sarah de Ruiter<\/td>\nPA<\/td>\n<\/tr>\n
Nino Valcq<\/td>\nRunner<\/td>\n<\/tr>\n
Jens Smeets<\/td>\nBTS<\/td>\n<\/tr>\n
Martijn Daamen<\/td>\nPost Production Managers<\/td>\n<\/tr>\n
Gideon van Eeden<\/td>\nPost Production Managers<\/td>\n<\/tr>\n
Jelle Helwig<\/td>\nEditor<\/td>\n<\/tr>\n
Hans Neels<\/td>\nSound Design<\/td>\n<\/tr>\n
Stan van den Baar<\/td>\nSound Design<\/td>\n<\/tr>\n
Ruud Hermans<\/td>\nComposer<\/td>\n<\/tr>\n
Jelle Helwig<\/td>\nComposer<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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Why We Run<\/h2>

The story of 16 teenagers who learnt about domestic violence attempted to run 1000km in one night for survivors.<\/p>\n\n\n\n\n\n\n
Cameron Cliff<\/td>\nDirector<\/td>\n<\/tr>\n
Amy Cook<\/td>\nProducer<\/td>\n<\/tr>\n
Cameron Cliff<\/td>\nProducer<\/td>\n<\/tr>\n
Mark Roberton<\/td>\nKey Cast<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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CREATURE<\/h2>

Beyond the concepts of monstruous and devine a reverse creation explored<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n
Nevena Nikolova<\/td>\nDirector<\/td>\n<\/tr>\n
Petar Gerzilov<\/td>\nDirector<\/td>\n<\/tr>\n
Nevena Nikolova<\/td>\nProducer<\/td>\n<\/tr>\n
Petar Gerzilov<\/td>\nProducer<\/td>\n<\/tr>\n
Viktoriya Sirakova, Isabel Mitkova, Ksenia Bakalova<\/td>\nKey Cast<\/td>\n<\/tr>\n
Marion Darova<\/td>\nChoreography<\/td>\n<\/tr>\n
Miglena Marinova<\/td>\nEditing<\/td>\n<\/tr>\n
Veselin Menkadjiev<\/td>\nCinematography<\/td>\n<\/tr>\n
Alexander Evtimov<\/td>\nSound design and score<\/td>\n<\/tr>\n
Petar Gerzilov<\/td>\nLight Design<\/td>\n<\/tr>\n
Raya Karpacheva<\/td>\nCostume Design<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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GUSH<\/h2>

REALIZING SHE LOST HERSELF AFTER GIVING BIRTH A YOUNG MOTHER STRUGGLES TO MAINTAIN HER SANITY.<\/p>\n\n\n\n\n\n\n
Juliette van Ardenne<\/td>\nDirector<\/td>\n<\/tr>\n
Juliette van Ardenne<\/td>\nWriter<\/td>\n<\/tr>\n
Juliette van Ardenne<\/td>\nProducer<\/td>\n<\/tr>\n
Juliette van Ardenne, Juliette Van ardenne<\/td>\nKey Cast<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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Note of Defiance<\/h2>

Filmed in early 2023, on the Ukrainian-Russian border, this short documentary explores two artists’ use of their creativity and art as a means of cultural survival and defiance.<\/p>\n

In Kharkiv, Ukraine; attacks on civilian centres have forced cultural sites to close. The Kharkiv State Academic Opera and Ballet Theatre is one of the biggest cultural sites in the city forced to close due to these attacks.<\/p>\n

Two inspiring artists move continue to provide concerts and lessons anywhere they can; from parking garages to bomb shelters.<\/p>\n

Through powerful interviews, we learn of the unique challenges artists have faced during this conflict. From censorship and persecution, to displacement and trauma. The film concludes with emotional performance, where two disciplines of violin and dance are brought together in the theatre for the first time in nearly a year.<\/p>\n\n\n\n\n\n\n\n\n\n
Brian Henderson<\/td>\nDirector<\/td>\n<\/tr>\n
Brian Henderson<\/td>\nWriter<\/td>\n<\/tr>\n
Dan Borrelli<\/td>\nWriter<\/td>\n<\/tr>\n
Brian Henderson<\/td>\nProducer<\/td>\n<\/tr>\n
Dan Borrelli<\/td>\nProducer<\/td>\n<\/tr>\n
Holly Adams<\/td>\nProducer<\/td>\n<\/tr>\n
Meredith Rodriguez<\/td>\nProducer<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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Goose<\/h2>

Suzie believed that returning to her community will make herself a true being. This is a story mesmerized by commercial-look visual and satire script motif of The Ugly Duckling and gireogi family.<\/p>\n\n\n\n\n\n\n\n
Jieun Park<\/td>\nDirector<\/td>\n<\/tr>\n
Jieun Park<\/td>\nWriter<\/td>\n<\/tr>\n
Gabriel Figueiredo<\/td>\nWriter<\/td>\n<\/tr>\n
Ana Sarem, Sarra Brahmi, Mirela Gashi, Paul Morris, Cecil Carty<\/td>\nProducer<\/td>\n<\/tr>\n
Jieun Park<\/td>\nProducer<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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Deafening Silence<\/h2>

A small suburban family gets struck by tragedy. Since both parents do not know how to cope with the loss of their eldest son, it is ultimately up to their 11-year-old deaf daughter Magdalena and her fairy-tale book, to start the healing process.<\/p>\n\t\t\t\t <\/div>\n\t\t\t\t \n\t\t\t\t <\/div>\n\t\t\t\t \n\t\t\t\t <\/div>\n\t\t\t\t \n\t\t\t\t

\n\t\t\t\t \t\t\t\t <\/div>\n\t\t\t\t \n\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\n<\/div>\n

[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_empty_space height=”20px”][\/vc_column][\/vc_row][vc_row css=”.vc_custom_1749712119710{padding-right: 156px !important;padding-left: 156px !important;}”][vc_column][vc_custom_heading text=”Official Selection Films 2023
\n” font_container=”tag:h3|text_align:center” use_theme_fonts=”yes”][vc_column_text]<\/p>\n

Note: E-Certificates will be sent by e-mail to the submitters after the event<\/p>\n

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\n \n \n \n \n \n \n \n \n \n <\/colgroup>\n <\/table>\n \n \n \n<\/div>\n

[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_custom_heading text=”Workshops 2023″ font_container=”tag:h3|text_align:center” use_theme_fonts=”yes”][vc_column_text]<\/p>\n

Venue: Het Koorenhuis<\/h2>\n

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11\u00a0November 2023<\/strong><\/i><\/h2>\n

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Workshop-1\u00a0<\/strong><\/i><\/h1>\n

11 November 2023 11:30 to 12:15<\/span><\/b><\/h4>\n

Piracy, Copyrights, and IP Protection Challenges for Creative Filmmakers by John Y.<\/b><\/h4>\n

Synopsis:<\/strong>\u00a0 This workshop by a seasoned intellectual property lawyer turned into an award\u00a0winning filmmaker takes a deep dive into the pressing issues of piracy, copyright infringement, and the formidable obstacles confronting independent filmmakers. It delves into the various forms of piracy and their economic repercussions, highlighting the unique challenges faced by independent filmmakers in an era defined by digital transformation. The seminar also provides practical strategies for safeguarding intellectual property, including copyright registration, digital rights management, and legal recourse in case of infringement. By fostering a space for knowledge sharing and collaboration, it equips independent filmmakers with the tools and insights necessary to navigate these challenges and protect their creative work.[\/vc_column_text][vc_row_inner css=”.vc_custom_1698672208140{padding-top: 16px !important;padding-bottom: 16px !important;}”][vc_column_inner width=”1\/4″][vc_single_image image=”8608″ img_size=”full” style=”vc_box_border”][\/vc_column_inner][vc_column_inner width=”3\/4″][vc_column_text]John Y, a former lawyer with a background in Law from the University of Hong Kong and two Masters of Law degrees from the University of London and Beijing University, made a remarkable career shift from a successful legal practice to the world of acting and film production. After more than two decades in the legal field, including serving as a Litigation Partner in a prominent U.S. law firm in Hong Kong, John pursued his lifelong dream of acting and film production. He produced and starred in two short films in 2016, “My Dear Banquet” and “The Unknown Mother,” both focusing on the theme of maternal love and family bonds. His feature film acting debut in “Million Loves in Me” earned him numerous Best Actor awards and recognition for his portrayal.[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_column_text]<\/p>\n

Moderator: Elizabeth Blum<\/h3>\n

[\/vc_column_text][vc_separator border_width=”2″ css=”.vc_custom_1665732398304{padding-top: 30px !important;padding-bottom: 30px !important;}”][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text]<\/p>\n

Workshop-2\u00a0<\/strong><\/i><\/h1>\n

11 November 2023 12:30\u00a0 to 13:15<\/span><\/b><\/h4>\n

Bringing Dance and Movement into a Short\/Experimental Film Narrative by Regina Hofmanova<\/h4>\n

Synopsis:<\/strong>\u00a0 “There’s something about movement and dance that can express things we cannot express otherwise.\u201c This is a quote from a lovely email I received from fans of my current film. A quote that encapsulates what so many others have always felt about movement, dance and body language. But why is that? Where does this fascination come from? Can movement replace dialogue, can it express more than words? And if so how? These are some of the questions we will discuss and elaborate on. The workshop will be illustrated with examples from films including Regina’s, demonstrating the use of nonverbal expression and narrative through movement – be it body language, dance, camera, or edit. There will be time for questions and maybe even a practical exercise[\/vc_column_text][vc_row_inner css=”.vc_custom_1698672221580{padding-top: 16px !important;padding-bottom: 16px !important;}”][vc_column_inner width=”1\/4″][vc_single_image image=”8611″ img_size=”full” style=”vc_box_border”][\/vc_column_inner][vc_column_inner width=”3\/4″][vc_column_text]Regina Hofmanova, a multifaceted artist, holds a Master’s in Choreography and a background in interpreting and translating from Charles’ University in Prague. She has honed her craft through international workshops and summer programs at the Laban Centre in London. Regina’s portfolio spans independent productions and choreography for opera, with acclaimed works like “Besame.” She’s ventured into the world of film, with her dance film “Steadfast” showcased at global festivals. Regina also directs short films, including “Unicorn,” which screened at Design Shanghai. Her creative process integrates various dance styles and challenges stereotypes, often utilizing props and voice. Her ongoing project, “GUEST,” has garnered recognition at international short film festivals, and she collaborates with diverse artists to explore human expression in its myriad forms.[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_column_text]<\/p>\n

Moderator: Elizabeth Blum<\/h3>\n

[\/vc_column_text][vc_separator border_width=”2″ css=”.vc_custom_1665732398304{padding-top: 30px !important;padding-bottom: 30px !important;}”][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text]<\/p>\n

Workshop-3\u00a0<\/strong><\/i><\/h1>\n

11 November 2023 13.30 to 14:15<\/span><\/b><\/h4>\n

India Unplugged: The Film and Media Revolution by Akash Sagar<\/b><\/h4>\n

Synopsis:<\/strong>\u00a0 This workshop takes participants on an engaging journey through the evolving landscape of India’s media and entertainment industry. It celebrates the colorful tapestry of Indian storytelling, spanning across an in-depth study of Multilingual and Pan-Indian Film Industries, including regional cinema, and the expanding influence of technology driven digital platforms on the global stage. By delving into the innovative aspects of production, distribution, and broadcasting, it offers a captivating look at the ongoing transformation of India’s media and entertainment sector, allowing attendees to gain a deeper appreciation of the diverse narratives and creative forces shaping the nation’s cinematic identity.[\/vc_column_text][vc_row_inner css=”.vc_custom_1698672228411{padding-top: 16px !important;padding-bottom: 16px !important;}”][vc_column_inner width=”1\/4″][vc_single_image image=”8613″ img_size=”full” style=”vc_box_border”][\/vc_column_inner][vc_column_inner width=”3\/4″][vc_column_text]Akash Sagar Chopra is a multi-talented artist with a diverse career. He is a filmmaker, producer, actor, and music composer, and currently serves as the operational CEO of Sagar Pictures Entertainment Pvt. Ltd., an Indian Motion Picture and Digital Broadcast Studio. Akash’s early artistic journey began at the age of 11 when he started composing music. He assisted his grandfather, Ramanand Sagar, in the film industry, working on various projects and composing music for acclaimed films. He ventured into theatre and stage performances, including the play “Sapne Chuttan Dube Ke – 1970.” In the television industry, he worked as a creative producer on numerous series and co-directed “Mahavir Hanuman,” known for its innovative visual effects and prosthetic makeup. Akash also made his mark in films, both as an actor and director. His short film “The Interrogation of Guru Kartaar Singh” garnered international acclaim. Additionally, he directed “Mr. Lieutenant Radio,” which received positive reviews and awards at film festivals. In 2016, Akash co-founded Mount Music, an independent non-film music label, and the company has since expanded into non-fiction content, documentaries, and digital content. Currently, he’s involved in various upcoming projects across film, original music, music tech, and content creation for new media platforms.[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_column_text]<\/p>\n

Moderator: Elizabeth Blum<\/h3>\n

[\/vc_column_text][vc_separator border_width=”2″ css=”.vc_custom_1665732398304{padding-top: 30px !important;padding-bottom: 30px !important;}”][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text]<\/p>\n

12\u00a0November 2023<\/strong><\/i><\/h2>\n

[\/vc_column_text][vc_separator color=”black” border_width=”5″ css=”.vc_custom_1698729771215{padding-top: 30px !important;padding-bottom: 30px !important;}”][vc_column_text]<\/p>\n

Workshop-4\u00a0<\/strong><\/i><\/h1>\n

12 November 2023 10:30 to 11:15 AM<\/span><\/b><\/h4>\n

Visual Storytelling by Kristjan Knigge<\/b><\/h4>\n

Synopsis:<\/strong>\u00a0 Often when people talk about visual storytelling in film they are referring to camera work. Type Visual Storytelling into the search bar on Youtube and you\u2019ll get lots of discussions, tutorials and video essays on the subject, which are almost all about composition and framing, with some information on things like contrast, movement and use of colour. So we\u2019ll touch on those, but we will also look at other aspects of the filmmaking process where filmmakers can work on visual storytelling. Area’s such as the writing, production design and the editing.[\/vc_column_text][vc_row_inner css=”.vc_custom_1698672235884{padding-top: 16px !important;padding-bottom: 16px !important;}”][vc_column_inner width=”1\/4″][vc_single_image image=”8615″ img_size=”full” style=”vc_box_border”][\/vc_column_inner][vc_column_inner width=”3\/4″][vc_column_text]Kristjan Knigge was born in Denmark. He grew up in Portugal and England and now lives and works in Amsterdam. He started his career in film as a runner and has gained experience in production management, 1st Ad’ing, editing, special effects and directing. As a director his work includes commercials, corporate films, music videos, a full-length documentary, three feature films and many, many short films. He currently works as a director for a Content Marketing Agency.[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_column_text]<\/p>\n

Moderator: John Yiu<\/h3>\n

[\/vc_column_text][vc_separator color=”black” border_width=”5″ css=”.vc_custom_1698729771215{padding-top: 30px !important;padding-bottom: 30px !important;}”][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text]<\/p>\n

Workshop-5\u00a0<\/strong><\/i><\/h1>\n

12 November 2023 11:30 to 12:15<\/span><\/b><\/h4>\n

Director and Cinematographer’s relationship with each other and working on the screenplay by Burak Oguz Saguner<\/b><\/h4>\n

Synopsis:<\/strong>\u00a0 A conversation with Writer-Director & Cinematographer Burak Oguz Saguner on the Director & Cinematographer relationship, ways they work on the script, and the path to a fruitful and harmonious collaboration from pre-production to post-production.[\/vc_column_text][vc_row_inner css=”.vc_custom_1698672243611{padding-top: 16px !important;padding-bottom: 16px !important;}”][vc_column_inner width=”1\/4″][vc_single_image image=”8617″ img_size=”full” style=”vc_box_border”][\/vc_column_inner][vc_column_inner width=”3\/4″][vc_column_text]Burak Oguz Saguner completed his Postgraduate Degree in Cinematography at the Australian Film TV and Radio School in 2014.<\/p>\n

As a Writer-Director and Cinematographer, he worked on numerous independent short and feature films, documentaries, commercials, and music videos in different parts of the world, including Australia, Vietnam, Germany, Switzerland, Greece, Italy, and Turkey.<\/p>\n

His works won numerous awards, including the Best Achievement in Cinematography Award at the St Kilda Film Festival, Best Cinematography Award at the Canberra Short Film Festival, and Best Directing at the Dallas Independent Film Festival, and screened at prestigious festivals such as Berlinale, Flickerfest New York Film Festival and Warsaw Film Festival. Burak is currently developing his first feature film.[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_column_text]<\/p>\n

Moderator: Elizabeth Blum<\/h3>\n

[\/vc_column_text][vc_separator border_width=”2″ css=”.vc_custom_1665732398304{padding-top: 30px !important;padding-bottom: 30px !important;}”][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text]<\/p>\n

Workshop-6\u00a0<\/strong><\/i><\/h1>\n

12 November 2023 12:30\u00a0 to 13:15<\/span><\/b><\/h4>\n

Understanding cinematography as a director – how to fight the good (and the right) fight with limited means by\u00a0<\/b>\u00a0Gideon van Eeden<\/b><\/h4>\n

Synopsis: To be updated<\/strong>[\/vc_column_text][vc_row_inner css=”.vc_custom_1698672250540{padding-top: 16px !important;padding-bottom: 16px !important;}”][vc_column_inner width=”1\/4″][vc_single_image image=”8619″ img_size=”full” style=”vc_box_border”][\/vc_column_inner][vc_column_inner width=”3\/4″][vc_column_text]Gideon van Eeden is a South African former television actor and theatre creator who attained success in South Africa and performed in various European countries. After emigrating to the Netherlands he has worked as a filmmaker for corporate clients, NGO’s and wildlife documentaries. His short film Bijltjesdag (Day of Reckoning) screened at festivals worldwide and marks his debut as a director of narrative fiction with numerous awards and nominations. His second short film, The Apricot Tree, premiered at the Raindance Film Festival in 2018 and was well-received on the festival circuit. Both productions are currently streaming on ShortsTV and were made as part of his studies in screenwriting and directing with the Raindance MA programme and the University of Staffordshire, which he completed with distinction in 2018. His third outing, God Glitch, was crowned overall winner at the GoShort 48 Hour Festival in Nijmegen, the Netherlands, and had its international Premiere at FilmQuest. He works as a filmmaking educator at tertiary institutions.[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_column_text]<\/p>\n

Moderator: Elizabeth Blum<\/h3>\n

[\/vc_column_text][vc_separator border_width=”2″ css=”.vc_custom_1665732398304{padding-top: 30px !important;padding-bottom: 30px !important;}”][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text]<\/p>\n

Workshop-7\u00a0<\/strong><\/i><\/h1>\n

12 November 2023 13:30\u00a0 to 14:15<\/span><\/b><\/h4>\n

The Process of Short\u00a0Documentary Filmmaking by<\/strong>\u00a0Michelle Traurig & Roos Cals<\/strong><\/b><\/h4>\n

Synopsis: <\/strong>What’s the process of making your own documentary like? In the workshop we will show you the different stages as pre-production, production, postproduction\u00a0and distribution\u00a0based on our short documentary Belonging – highlighting amongst others funding\/fundraising, writing a script, interviewing (on sensitive\/personal topics, like war), editing choices and networking. We also want to point out the impact and educational purpose a documentary\u00a0can\u00a0have. Do you have an idea for a documentary\/film but are stuck or don’t know where to start? The workshop will end with a discussion round, where you can ask questions or for advice.[\/vc_column_text][vc_row_inner css=”.vc_custom_1698672250540{padding-top: 16px !important;padding-bottom: 16px !important;}”][vc_column_inner width=”1\/4″][vc_single_image image=”8639″ img_size=”full” style=”vc_box_border”][\/vc_column_inner][vc_column_inner width=”3\/4″][vc_column_text]Michelle Traurig is a graduate of Creative Business from the University of Applied Sciences Utrecht, having completed an exchange program at the University of West Florida, USA, and interned at a start-up in Berlin. She also contributed her skills and passion by working and volunteering at the Nederlands Film Festival. Moreover, she is actively involved with IDFA. Roos Cals is currently in her final year of Journalism studies at the University of Applied Sciences Utrecht<\/p>\n

Michelle and Roos collaborated during the documentary program CampusDoc from September 2022 to January 2023. It was during this program that they crossed paths and jointly took on the roles of (pre-) production, direction, and post-production for their project “Belonging.” In addition to their studies and documentary work, they embarked on an exciting journey to New York City, attending guest lectures at CUNY University and simultaneously working on a mini-documentary in the Bronx.<\/p>\n

Their dedication and talents culminated in significant recognition, as “Belonging” earned them the Best Film Direction award at the CampusDoc Film Festival in Utrecht in June 2023. Furthermore, their documentary was also acknowledged with a special award in the “Life with War” category at the 29th Golden Beggar Film Festival in Ko\u0161ice, Slovakia in September.[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_column_text]<\/p>\n

Moderator: John Yiu<\/h3>\n

[\/vc_column_text][vc_separator border_width=”2″ css=”.vc_custom_1665732398304{padding-top: 30px !important;padding-bottom: 30px !important;}”][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text]<\/p>\n

Workshop-8\u00a0<\/strong><\/i><\/h1>\n

12 November 2023 14:30 to 15:15<\/span><\/b><\/h4>\n

Unleashing the Magic of Colors in Cinematography by\u00a0<\/span><\/b>Vincenzo Toscani<\/b><\/h4>\n

Synopsis: <\/strong>Dive into the captivating world of color in film and discover how each hue tells a unique story, shaping your emotional journey through the cinematic experience. Have you ever wondered about the intent behind a specific color choice in a movie, or pondered who orchestrates these visual symphonies of color? Are the colors you see on screen a true reflection of the filmmaker’s vision?\u00a0Join us as we unravel the secrets behind color selection, exploring both its historical challenges and its ongoing impact on modern filmmaking.\u00a0Our journey will traverse through time, delving deep into the era before the color revolution of the ’60s, all the way to the contemporary masterpieces of today.\u00a0Enhance your film appreciation and understanding through the powerful and expressive world of color with this interactive workshop, uncovering the art of making color the absolute protagonist of a story[\/vc_column_text][vc_row_inner css=”.vc_custom_1698672250540{padding-top: 16px !important;padding-bottom: 16px !important;}”][vc_column_inner width=”1\/4″][vc_single_image image=”8641″ img_size=”full” style=”vc_box_border”][\/vc_column_inner][vc_column_inner width=”3\/4″][vc_column_text]Vincenzo Toscani is an Italian professional with a strong passion for filmmaking and color correction. He produced short movies, music videos, and a number of commercial videos.\u00a0\u00a0Beyond his professional endeavors, he delights in sharing his knowledge and enthusiasm for cinema through lectures, driven purely by his love for the craft and the joy of engaging with fellow film aficionados.[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_column_text]<\/p>\n

Moderator: John Yiu<\/h3>\n

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Workshop-4\u00a0 <\/strong><\/i><\/h1>\n

Screenplay Table Read<\/h1>\n

Sunday 13 November 2022 12:00 to 12:45 hours<\/h4>\n

Presenters: James Fitzmaurice, Brenda Malley, Willemijn Mignot, Sarif Tribou, Rogier van Beeck Calkoen and Mike Pasarella.<\/h4>\n

Moderator: Tba<\/i><\/h4>\n
\u00a0<\/i><\/div>\n

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James Fitzmaurice<\/h4>\n

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Brenda Malley<\/h4>\n

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Willemijn Mignot<\/h4>\n

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Sarif Tribou<\/h4>\n

[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner css=”.vc_custom_1665733286230{padding-top: 30px !important;padding-bottom: 30px !important;}”][vc_column_inner width=”1\/4″][vc_single_image image=”7737″ img_size=”full” style=”vc_box_circle_2″][vc_column_text]<\/p>\n

Rogier van Beeck Calkoen<\/h4>\n

[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/4″][vc_single_image image=”7999″ img_size=”full” style=”vc_box_circle_2″][vc_column_text]<\/p>\n

Mike Pasarella<\/h4>\n

[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/4″][\/vc_column_inner][vc_column_inner width=”1\/4″][\/vc_column_inner][\/vc_row_inner][vc_separator border_width=”2″ css=”.vc_custom_1665732398304{padding-top: 30px !important;padding-bottom: 30px !important;}”][\/vc_column][\/vc_row]<\/p>\n","protected":false},"excerpt":{"rendered":"

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