{"id":9559,"date":"2025-06-12T06:46:10","date_gmt":"2025-06-12T06:46:10","guid":{"rendered":"https:\/\/iffh.nl\/?page_id=9559"},"modified":"2025-06-18T12:40:45","modified_gmt":"2025-06-18T12:40:45","slug":"previous-editions-2019","status":"publish","type":"page","link":"https:\/\/iffh.nl\/old-web\/previous-editions-2019\/","title":{"rendered":"Previous Editions 2019"},"content":{"rendered":"

[vc_row el_class=”team” css=”.vc_custom_1749712162862{padding-top: 156px !important;padding-right: 156px !important;padding-left: 156px !important;}”][vc_column][vc_custom_heading text=”2019 Award Winner” font_container=”tag:h2|text_align:center” use_theme_fonts=”yes”][vc_row_inner][vc_column_inner][vc_column_text]

\n \n \n \n \n \n \n <\/colgroup>\n <\/table>\n \n \n \n<\/div>\n[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_empty_space height=”20px”][\/vc_column][\/vc_row][vc_row el_id=”rowsa” el_class=”team”][vc_column][vc_custom_heading text=”Finalist films 2019″ font_container=”tag:h2|text_align:center” use_theme_fonts=”yes”][vc_custom_heading text=”Note: E-Certificates will be sent by e-mail to the submitters after the event” font_container=”tag:p|text_align:center” use_theme_fonts=”yes”][vc_row_inner][vc_column_inner][vc_column_text]
\n\t
\n\t\t\t
\n\t\t
\n \n
\n \n \"Intrinsic\n
\n
\n \t

Intrinsic Moral Evil<\/h3>\n <\/div>\n \n <\/figcaption>\n \n \n <\/figure>\n <\/a>\n <\/div>\n\t\t\t
\n \n
\n \n \"When\n
\n
\n \t

When Music Speaks<\/h3>\n <\/div>\n \n <\/figcaption>\n \n \n <\/figure>\n <\/a>\n <\/div>\n\t\t\t
\n \n
\n \n \"Panic\n
\n
\n \t

Panic Attack<\/h3>\n <\/div>\n \n <\/figcaption>\n \n \n <\/figure>\n <\/a>\n <\/div>\n\t\t\t
\n \n
\n \n \"AINHOA\"\n
\n
\n \t

AINHOA<\/h3>\n <\/div>\n \n <\/figcaption>\n \n \n <\/figure>\n <\/a>\n <\/div>\n\t\t\t
\n \n
\n \n \"Chocolate\n
\n
\n \t

Chocolate wind<\/h3>\n <\/div>\n \n <\/figcaption>\n \n \n <\/figure>\n <\/a>\n <\/div>\n\t\t\t
\n \n
\n \n \"PAPER\n
\n
\n \t

PAPER LOVE<\/h3>\n <\/div>\n \n <\/figcaption>\n \n \n <\/figure>\n <\/a>\n <\/div>\n\t\t\t
\n \n
\n \n \"Dare\n
\n
\n \t

Dare Not Fly<\/h3>\n <\/div>\n \n <\/figcaption>\n \n \n <\/figure>\n <\/a>\n <\/div>\n\t\t\t
\n \n
\n \n \"Bergarde’s\n
\n
\n \t

Bergarde’s Mystery Guest<\/h3>\n <\/div>\n \n <\/figcaption>\n \n \n <\/figure>\n <\/a>\n <\/div>\n\t\t\t
\n \n
\n \n \"GIVE\n
\n
\n \t

GIVE + TAKE<\/h3>\n <\/div>\n \n <\/figcaption>\n \n \n <\/figure>\n <\/a>\n <\/div>\n\t\t\t
\n \n
\n \n \"Arcana\n
\n
\n \t

Arcana Six<\/h3>\n <\/div>\n \n <\/figcaption>\n \n \n <\/figure>\n <\/a>\n <\/div>\n\t\t\t
\n \n
\n \n \"breath\"\n
\n
\n \t

breath<\/h3>\n <\/div>\n \n <\/figcaption>\n \n \n <\/figure>\n <\/a>\n <\/div>\n\t\t\t
\n \n
\n \n \"BESTIE\"\n
\n
\n \t

BESTIE<\/h3>\n <\/div>\n \n <\/figcaption>\n \n \n <\/figure>\n <\/a>\n <\/div>\n\t\t\t
\n \n
\n \n \"Andersen\n
\n
\n \t

Andersen and the Jinn<\/h3>\n <\/div>\n \n <\/figcaption>\n \n \n <\/figure>\n <\/a>\n <\/div>\n\t\t\t
\n \n
\n \n \"The\n
\n
\n \t

The Apricot Tree<\/h3>\n <\/div>\n \n <\/figcaption>\n \n \n <\/figure>\n <\/a>\n <\/div>\n\t\t\t
\n \n
\n \n \"AMERICAN\n
\n
\n \t

AMERICAN MARRIAGE<\/h3>\n <\/div>\n \n <\/figcaption>\n \n \n <\/figure>\n <\/a>\n <\/div>\n\t\t\t
\n \n
\n \n \"On\n
\n
\n \t

On the Verge of ___<\/h3>\n <\/div>\n \n <\/figcaption>\n \n \n <\/figure>\n <\/a>\n <\/div>\n\t\t\t
\n \n
\n \n \"I\n
\n
\n \t

I want to see some I.D. !<\/h3>\n <\/div>\n \n <\/figcaption>\n \n \n <\/figure>\n <\/a>\n <\/div>\n\t\t\t
\n \n
\n \n \"Terms\n
\n
\n \t

Terms and Conditions<\/h3>\n <\/div>\n \n <\/figcaption>\n \n \n <\/figure>\n <\/a>\n <\/div>\n\t\t\t
\n \n
\n \n \"How\n
\n
\n \t

How Countries Fight Their Wars<\/h3>\n <\/div>\n \n <\/figcaption>\n \n \n <\/figure>\n <\/a>\n <\/div>\n\t\t\t
\n \n
\n \n \"DER\n
\n
\n \t

DER BESUCH – THE VISIT<\/h3>\n <\/div>\n \n <\/figcaption>\n \n \n <\/figure>\n <\/a>\n <\/div>\n\t\t\t
\n \n
\n \n \"ANGEL\u2019S\n
\n
\n \t

ANGEL\u2019S MIRROR (dir. C. Chao)<\/h3>\n <\/div>\n \n <\/figcaption>\n \n \n <\/figure>\n <\/a>\n <\/div>\n\t\t\t
\n \n
\n \n \"SPLENDID\n
\n
\n \t

SPLENDID CASE OF DOUBT (dir. D. Moshel)<\/h3>\n <\/div>\n \n <\/figcaption>\n \n \n <\/figure>\n <\/a>\n <\/div>\n\t\t\t
\n \n
\n \n \"ITALY\n
\n
\n \t

ITALY & (THIS IS) WATER (Dir. I. Gavriel & A. F. Plaschg )<\/h3>\n <\/div>\n \n <\/figcaption>\n \n \n <\/figure>\n <\/a>\n <\/div>\n\t\t\t
\n \n
\n \n \"SOLITAIRE\n
\n
\n \t

SOLITAIRE (dir. E. Brodach)<\/h3>\n <\/div>\n \n <\/figcaption>\n \n \n <\/figure>\n <\/a>\n <\/div>\n\t\t\t
\n \n
\n \n \"MORGEN\n
\n
\n \t

MORGEN KOMMT KEIN WEIHNACHTSMANN (dir. A. Ludwig)<\/h3>\n <\/div>\n \n <\/figcaption>\n \n \n <\/figure>\n <\/a>\n <\/div>\n\t\t\t
\n \n
\n \n \"MILK\n
\n
\n \t

MILK (dir. S. Kia)<\/h3>\n <\/div>\n \n <\/figcaption>\n \n \n <\/figure>\n <\/a>\n <\/div>\n\t\t\t
\n \n
\n \n \"DIE\n
\n
\n \t

DIE BEWEGUNG DER STERNE – THE MOTION OF STARS (dir. Prazak)<\/h3>\n <\/div>\n \n <\/figcaption>\n \n \n <\/figure>\n <\/a>\n <\/div>\n\t\t\t
\n \n
\n \n \"MENUETT\n
\n
\n \t

MENUETT (dir. F. Karolus)<\/h3>\n <\/div>\n \n <\/figcaption>\n \n \n <\/figure>\n <\/a>\n <\/div>\n\t\t\t
\n \n
\n \n \"The\n
\n
\n \t

The Elite 8<\/h3>\n <\/div>\n \n <\/figcaption>\n \n \n <\/figure>\n <\/a>\n <\/div>\n\t\t\t
\n \n
\n \n \"America\"\n
\n
\n \t

America<\/h3>\n <\/div>\n \n <\/figcaption>\n \n \n <\/figure>\n <\/a>\n <\/div>\n\t\t\t
\n \n
\n \n \"TOAST\"\n
\n
\n \t

TOAST<\/h3>\n <\/div>\n \n <\/figcaption>\n \n \n <\/figure>\n <\/a>\n <\/div>\n\t\t\t
\n \n
\n \n \"“Time\n
\n
\n \t

“Time 2019”<\/h3>\n <\/div>\n \n <\/figcaption>\n \n \n <\/figure>\n <\/a>\n <\/div>\n\t\t\t
\n \n
\n \n \"Sound\n
\n
\n \t

Sound of Two<\/h3>\n <\/div>\n \n <\/figcaption>\n \n \n <\/figure>\n <\/a>\n <\/div>\n\t\t\t
\n \n
\n \n \"Saved\n
\n
\n \t

Saved – Escape from Kim\u00b4s regime (short version)<\/h3>\n <\/div>\n \n <\/figcaption>\n \n \n <\/figure>\n <\/a>\n <\/div>\n\t\t\t
\n \n
\n \n \"Chemistry\n
\n
\n \t

Chemistry 101<\/h3>\n <\/div>\n \n <\/figcaption>\n \n \n <\/figure>\n <\/a>\n <\/div>\n\t\t\t
\n \n
\n \n \"Nil\n
\n
\n \t

Nil by Mouth<\/h3>\n <\/div>\n \n <\/figcaption>\n \n \n <\/figure>\n <\/a>\n <\/div>\n\t\t\t
\n \n
\n \n \"The\n
\n
\n \t

The Metamorphosis of a Bottle Cap<\/h3>\n <\/div>\n \n <\/figcaption>\n \n \n <\/figure>\n <\/a>\n <\/div>\n\t\t\t
\n \n
\n \n \"Young\n
\n
\n \t

Young & Naive<\/h3>\n <\/div>\n \n <\/figcaption>\n \n \n <\/figure>\n <\/a>\n <\/div>\n\t\t\t
\n \n
\n \n \"Game\"\n
\n
\n \t

Game<\/h3>\n <\/div>\n \n <\/figcaption>\n \n \n <\/figure>\n <\/a>\n <\/div>\n\t\t\t

\n\n\n\n\n\n\n
Harm Weistra<\/td>\nDirector<\/td>\n<\/tr>\n
Harm Weistra<\/td>\nProducer<\/td>\n<\/tr>\n
Harm Weistra<\/td>\nthe Bird<\/td>\n<\/tr>\n
Joan Ferr\u00e9 Gomez, Jorge Abraham Guillen Ortiz, Frago Pe\u00f1a Gonzalez<\/td>\nKey Cast<\/td>\n<\/tr>\n
Fernando Dom\u00ednguez Rinc\u00f3n<\/td>\nChoreographer<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n <\/div>\n <\/div> \n <\/div> \n <\/div> \n<\/div>
\n
\n
\n
\n \"When\n <\/div>\n \n
\n
\n

When Music Speaks<\/h2>

WHEN MUSIC SPEAKS is a profile of a man who, after his corporate retirement, decided to learn how to play a new instrument. A short and sweet testimony on getting older and it never being too late to follow your passions.<\/p>\n\n\n\n\n\n\n\n\n\n\n
Mark Wijsman<\/td>\nDirector<\/td>\n<\/tr>\n
Mark Wijsman<\/td>\nProducer<\/td>\n<\/tr>\n
Wim Wijsman<\/td>\nKey Cast\u201cself\u201d<\/td>\n<\/tr>\n
Kitty Wijsman<\/td>\nKey Cast\u201cSelf\u201d<\/td>\n<\/tr>\n
Jaap Tollenaars<\/td>\nKey Cast\u201cSelf\u201d<\/td>\n<\/tr>\n
Gijs van Kooten<\/td>\nKey Cast\u201cSelf\u201d<\/td>\n<\/tr>\n
Mark Wijsman<\/td>\nCinematography<\/td>\n<\/tr>\n
Ian Post<\/td>\nMusic<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n <\/div>\n <\/div> \n <\/div> \n <\/div> \n<\/div>
\n
\n
\n
\n \"Panic\n <\/div>\n \n
\n
\n

Panic Attack<\/h2>

You know the nagging thoughts that start with “did I leave the coffee on?” and turn in to “am I pregnant with a devil-baby?\u201d This hand-drawn animation explores anxiety, obsession, and one woman\u2019s slippery hold on reality.<\/p>\n\n\n\n\n\n\n\n<\/tbody>\n<\/table>\n <\/div>\n <\/div> \n <\/div> \n <\/div> \n<\/div>
\n
\n
\n
\n \"AINHOA\"\n <\/div>\n \n
\n
\n

AINHOA<\/h2>

Ainhoa is 9 years old and she has left home, bringing only her school bag and a Playmobil.
\n“Ainhoa is a story that, instead of trying to put children to sleep, tries to wake up the adults.”<\/p>\n

Eileen O’Meara<\/td>\nDirector<\/td>\nThat Strange Person, The Right to Express Yourself, Chaos, Agnes Escapes from the Nursing Home<\/td>\n<\/tr>\n
Eileen O’Meara<\/td>\nWriter<\/td>\n<\/td>\n<\/tr>\n
Eileen O’Meara<\/td>\nProducer<\/td>\n<\/td>\n<\/tr>\n
TIm Maloney<\/td>\nSound Mix<\/td>\nOver the Hiccups, God Hates Cartoons, Space Cadet, Mrs. Munger’s Class
\nDirector Biography – Eileen O’Meara<\/td>\n<\/tr>\n
\n\n\n\n\n\n\n\n\n\n\n
Ivan Sainz-Pardo<\/td>\nDirector<\/td>\n<\/tr>\n
Ivan Sainz-Pardo<\/td>\nWriter<\/td>\n<\/tr>\n
Aitor Arenas<\/td>\nProducer<\/td>\n<\/tr>\n
Aurelia Schikarsky<\/td>\nKey Cast<\/td>\n<\/tr>\n
Aurelia Schikarsky<\/td>\nKey Cast<\/td>\n<\/tr>\n
Josean bengoetxea<\/td>\nKey Cast<\/td>\n<\/tr>\n
Fele Martinez<\/td>\nKey Cast<\/td>\n<\/tr>\n
Natalia Mateo<\/td>\nKey Cast<\/td>\n<\/tr>\n
Gorka Aguinagalde<\/td>\nKey Cast<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n <\/div>\n <\/div> \n <\/div> \n <\/div> \n<\/div>
\n
\n
\n
\n \"Chocolate\n <\/div>\n \n
\n
\n

Chocolate wind<\/h2>

Lonely and indecisive 18 years old Alla feels like a Cinderella dreaming to escape from the poverty and shabbiness of the environment. Her old friend Masha, who is fairly reckless, finds Alla in Skype and like a fairy suggests her making all the dreams come true…<\/p>\n\n\n\n\n\n\n\n\n\n
Ilia Antonenko<\/td>\nDirector<\/td>\n<\/tr>\n
Ilia Antonenko<\/td>\nWriter<\/td>\n<\/tr>\n
Ilia Antonenko<\/td>\nProducer<\/td>\n<\/tr>\n
Ekaterina Antonenko<\/td>\nProducer<\/td>\n<\/tr>\n
Anna Draznina<\/td>\nKey Cast<\/td>\n<\/tr>\n
Angelina Zakeryaeva<\/td>\nKey Cast<\/td>\n<\/tr>\n
Ilia Antonenko<\/td>\nKey Cast<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n <\/div>\n <\/div> \n <\/div> \n <\/div> \n<\/div>
\n
\n
\n
\n \"PAPER\n <\/div>\n \n
\n
\n

PAPER LOVE<\/h2>

Two friends, Gabi and Amanda meet Adri, a boy recently arrived in Madrid. Between them will be created a sentimental bond that will unleash a series of emotions and misunderstandings that will test their relationship<\/p>\n\n\n\n\n\n\n\n\n\n
JOSE A. VALERO<\/td>\nDirector<\/td>\n<\/td>\n<\/tr>\n
ARTURO GOMEZ<\/td>\nWriter<\/td>\n<\/td>\n<\/tr>\n
CLAUDIA ANDRES<\/td>\nProducer<\/td>\n<\/td>\n<\/tr>\n
CARLOS INDRIAGO<\/td>\nKey Cast<\/td>\n\u201cGABRIEL\u201d<\/td>\n<\/tr>\n
XERO DEL VALLE<\/td>\nKey Cast<\/td>\n\u201cADRIAN\u201d<\/td>\n<\/tr>\n
ESTHER GUTIERREZ<\/td>\nKey Cast<\/td>\n\u201cAMANDA\u201d<\/td>\n<\/tr>\n
EDUARDO VILLAR<\/td>\nKey Cast<\/td>\n\u201c\u201cAITOR\u201d<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n <\/div>\n <\/div> \n <\/div> \n <\/div> \n<\/div>
\n
\n
\n
\n \"Dare\n <\/div>\n \n
\n
\n

Dare Not Fly<\/h2>

Shen Si Yan, who lived under the strong fetters of her mother, was like a bird blindfolded, but could not fly. When it comes to daily chores, friends, work and mate are all interfered. Even if words have stepped out of society, mother still does not allow her to make her own choices. How can she survive without compromise, loss of self thinking, and mother who is bent on loving her daughter?<\/p>\n\n\n\n\n\n\n\n
CHUYI CHEN<\/td>\nWriter<\/td>\n<\/td>\n<\/tr>\n
CHUYI CHEN<\/td>\nDirector<\/td>\n<\/td>\n<\/tr>\n
JING SONG<\/td>\nProducer<\/td>\n<\/td>\n<\/tr>\n
Hsu Ling Yun<\/td>\nKey Cast<\/td>\n\u201cSiyan Shen\u201d<\/td>\n<\/tr>\n
Chung Yueh Chun<\/td>\nKey Cast<\/td>\n\u201cJiazhen Wang\u201d<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n <\/div>\n <\/div> \n <\/div> \n <\/div> \n<\/div>
\n
\n
\n
\n \"Bergarde’s\n <\/div>\n \n
\n
\n

Bergarde’s Mystery Guest<\/h2>

Bergarde’s Mystery Guest tells the story of Pablo, a young fellow living in a beautiful art gallery in The Netherlands. Every night after the visitors and curators are gone he comes out to ponder the meaning of each work of art. However, when one night an unexpected guest shows up, everything changes…<\/p>\n\n\n\n\n\n\n\n\n\n\n
Dionne van den Berg<\/td>\nDirector<\/td>\nAmsterdam Ave, Kombuchachacha, Strangers in Love, Leaving<\/td>\n<\/td>\n<\/tr>\n
Pooja Tripathi<\/td>\nDirector<\/td>\nAmsterdam Ave., Kombuchachacha<\/td>\n<\/td>\n<\/tr>\n
Dionne van den Berg<\/td>\nWriter<\/td>\nAmsterdam Ave, Kombuchachacha, Strangers in Love, Leaving<\/td>\n<\/td>\n<\/tr>\n
Pooja Tripathi<\/td>\nWriter<\/td>\nAmsterdam Ave., Kombuchachacha<\/td>\n<\/td>\n<\/tr>\n
Dionne van den Berg<\/td>\nProducer<\/td>\nAmsterdam Ave, Kombuchachacha, Strangers in Love, Leaving<\/td>\n<\/td>\n<\/tr>\n
Pooja Tripathi<\/td>\nProducer<\/td>\nAmsterdam Ave., Kombuchachacha<\/td>\n<\/td>\n<\/tr>\n
Dionne van den Berg<\/td>\nKey Cast<\/td>\n\u201cSonya\u201d<\/td>\nAmsterdam Ave, Kombuchachacha, Strangers in Love, Leaving<\/td>\n<\/tr>\n
August de Leeuw<\/td>\nKey Cast<\/td>\n\u201cPablo\u201d<\/td>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n <\/div>\n <\/div> \n <\/div> \n <\/div> \n<\/div>
\n
\n
\n
\n \"GIVE\n <\/div>\n \n
\n
\n

GIVE + TAKE<\/h2>

Caring is easy. Surviving is hard. A comedy of errors hits hard when a slacker becomes a caregiver to a crusty Scottish senior resulting in mishap and mayhem.<\/p>\n\n\n\n\n\n\n\n\n\n\n
Armand Hamouth<\/td>\nDirector<\/td>\nA bevy of theatrical credits including Assistant Artistic Director St. Lawrence Center. Director One Flew Over The Cuckoos Nest . Dennis in Dez McAnuff\u2019s Leave It To Beaver Is Dead<\/td>\n<\/td>\n<\/tr>\n
Brian Kennington<\/td>\nWriter<\/td>\nThe International Multiple Award Winning Short \u201cThe Film Festival \u201c<\/td>\n<\/td>\n<\/tr>\n
Armand Hamouth<\/td>\nProducer<\/td>\nThe International Multiple Award Winning Short \u201cThe Film Festival \u201c<\/td>\n<\/td>\n<\/tr>\n
Brian Kennington<\/td>\nProducer<\/td>\nThe International Multiple Award Winning Short \u201cThe Film Festival \u201c<\/td>\n<\/td>\n<\/tr>\n
Ray Kennington<\/td>\nKey Cast<\/td>\n\u201cMaggie Morton\u201d<\/td>\nVillager in Alexander Payne’s “Downsizing”, Grandma in “See No Evil” and Frau Bau in the award winning short. , ” The Film Festival”.<\/td>\n<\/tr>\n
Liz Taylor<\/td>\nKey Cast<\/td>\n\u201cMillie Davies\u201d<\/td>\nHer work has been screened at TIFF (How Heavy This Hammer) as well as in many other International Festivals. Liz won a “Best Lead Actress” Award at the IndieFEST International Film Awards<\/td>\n<\/tr>\n
Chili Davidson<\/td>\nKey Cast<\/td>\n\u201cGerry Davies\u201d<\/td>\nA successful stand up comic performing mostly in the city of Toronto.<\/td>\n<\/tr>\n
Alex Gheorghe<\/td>\nD.O.P.<\/td>\nThe Award Winning \u201cFilm Festival\u201d
\nDirector Biography – Armand Hamouth<\/td>\n		<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n <\/div>\n <\/div> \n <\/div> \n <\/div> \n<\/div>
\n
\n
\n
\n \"Arcana\n <\/div>\n \n
\n
\n

Arcana Six<\/h2>

After a pivotal romantic encounter at the end of their senior year, two childhood best friends–Maggie and Elena–reflect on the history of their relationship and the impending future of it that hangs in the balance.<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
Mackenzie Patrick Flynn<\/td>\nDirector<\/td>\n(Bi)Polar Bear<\/td>\n<\/tr>\n
Mackenzie Patrick Flynn<\/td>\nWriter<\/td>\n(Bi)Polar Bear<\/td>\n<\/tr>\n
Mackenzie Patrick Flynn<\/td>\nProducer<\/td>\n(Bi)Polar Bear<\/td>\n<\/tr>\n
Eleanore Miechokowski<\/td>\nKey Cast<\/td>\n\u201cElena\u201d<\/td>\n<\/tr>\n
Jamila Gray<\/td>\nKey Cast<\/td>\n\u201cMaggie\u201d<\/td>\n<\/tr>\n
Carleigh Johnston<\/td>\nKey Cast<\/td>\n\u201cYoung Elena (Age 9)\u201d<\/td>\n<\/tr>\n
Cleora Goodwin<\/td>\nKey Cast<\/td>\n\u201cYoung Maggie (Age 9)\u201d<\/td>\n<\/tr>\n
Lola Dover<\/td>\nKey Cast<\/td>\n\u201cYoung Maggie (Age 6)\u201d<\/td>\n<\/tr>\n
Willow Eve<\/td>\nKey Cast<\/td>\n\u201cYoung Elena (Age 6)\u201d<\/td>\n<\/tr>\n
Joe Stauffer<\/td>\n<\/td>\nCinematography<\/td>\n<\/tr>\n
Emily Gold<\/td>\n<\/td>\nCinematography<\/td>\n<\/tr>\n
Mike Kirkpatrick<\/td>\n<\/td>\nCinematography<\/td>\n<\/tr>\n
Kate Korneychuk<\/td>\n<\/td>\nCinematography<\/td>\n<\/tr>\n
Monimar Mancillas<\/td>\n<\/td>\nCinematography<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n <\/div>\n <\/div> \n <\/div> \n <\/div> \n<\/div>
\n
\n
\n
\n \"breath\"\n <\/div>\n \n
\n
\n

breath<\/h2>

A choking man is suddenly saved by a homeless refugee, formerly a doctor in his native country.<\/p>\n\n\n\n\n\n\n\n
Mehmet Can MICIK<\/td>\nDirector<\/td>\nThe Edge of Menderes, Nisyan<\/td>\n<\/tr>\n
Mehmet Can MICIK<\/td>\nWriter<\/td>\nThe Edge of Menderes, Nisyan<\/td>\n<\/tr>\n
Derya Nebi SEZGIN<\/td>\nProducer<\/td>\n<\/td>\n<\/tr>\n
Sahan OREN<\/td>\nKey Cast<\/td>\n\u201cThe Man\u201d<\/td>\n<\/tr>\n
Emre Nedim ALKAN<\/td>\nKey Cast<\/td>\n\u201cAhmed al Agha\u201d<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n <\/div>\n <\/div> \n <\/div> \n <\/div> \n<\/div>
\n
\n
\n
\n \"BESTIE\"\n <\/div>\n \n
\n
\n

BESTIE<\/h2>

Sometimes all you need is The One.<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n
Leila Ben-Abdallah<\/td>\nDirector<\/td>\n<\/tr>\n
Amanda Prasow<\/td>\nWriter<\/td>\n<\/tr>\n
Amanda Prasow<\/td>\nProducer<\/td>\n<\/tr>\n
Amanda Prasow<\/td>\nKey Cast<\/td>\n<\/tr>\n
Maria Villasenor<\/td>\nCinematographer<\/td>\n<\/tr>\n
Cathy Small<\/td>\nCostume Designer<\/td>\n<\/tr>\n
Stephanie Gomez<\/td>\nMakeup by<\/td>\n<\/tr>\n
Emily Ovaert<\/td>\nScript Supervisor<\/td>\n<\/tr>\n
Amanda Rae Rosado<\/td>\nEditor<\/td>\n<\/tr>\n
Patrice Bowman<\/td>\nColorist<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n <\/div>\n <\/div> \n <\/div> \n <\/div> \n<\/div>
\n
\n
\n
\n \"Andersen\n <\/div>\n \n
\n
\n

Andersen and the Jinn<\/h2>

Experience the First of One Thousand and One Nights<\/p>\n

Young, adventurous writer Hans Christian Andersen is out of ideas and in a hurry to catch the train home when he meets the beautiful yet dangerous Princess Scheherazade of the tales of One Thousand and One Nights. He is inspired to save her from being killed by the angry sultan, and thus begins the affair between Andersen and the Princess… Can stories heal souls and perhaps change the world?<\/p>\n\n\n\n\n\n\n\n\n\n
Rogier van Beeck Calkoen<\/td>\nDirector<\/td>\nThe Storykeeper (Hot Springs Documentary Film Festival Nominee<\/td>\n<\/td>\n<\/tr>\n
Salva Rubio<\/td>\nWriter<\/td>\nDeep (Joya, Spanish oscar nominee 2018)<\/td>\n<\/td>\n<\/tr>\n
Ken Appledorn<\/td>\nKey Cast<\/td>\n\u201cHans Christian Andersen\u201d<\/td>\nThe Extraordinary Tale of the Times Table, The Imposter<\/td>\n<\/td>\n<\/tr>\n
Nuria Ferg\u00f3<\/td>\nKey Cast<\/td>\n\u201cScherezade\u201d<\/td>\nLove in Difficult Times<\/td>\n<\/td>\n<\/tr>\n
Smith<\/td>\nKey Cast<\/td>\n\u201cEmeka\u201d<\/td>\nManiac Tales, Nigerian stories<\/td>\n<\/td>\n<\/tr>\n
Steven Bratter<\/td>\nProducer<\/td>\nDemolition man, Motorama, Seven and a Match<\/td>\n<\/td>\n<\/tr>\n
Ana Gamiz<\/td>\nProducer<\/td>\nSeis y medio<\/td>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n <\/div>\n <\/div> \n <\/div> \n <\/div> \n<\/div>
\n
\n
\n
\n \"The\n <\/div>\n \n
\n
\n

The Apricot Tree<\/h2>

A bigoted widower fails at maintaining his late wife’s apricot tree. When his attempts are interrupted by a refugee found sleeping in his garden shed, he learns how to find closure.<\/p>\n\n\n\n\n\n\n\n\n
Gideon van Eeden<\/td>\nDirector<\/td>\nBijltjesdag (Day of Reckoning), Does it Matter<\/td>\n<\/tr>\n
Sharon Williams<\/td>\nWriter<\/td>\n<\/td>\n<\/tr>\n
Gideon van Eeden<\/td>\nProducer<\/td>\nBijltjesdag (Day of Reckoning), Does it Matter<\/td>\n<\/tr>\n
Raymond van der Bas<\/td>\nProducer<\/td>\nBijltjesdag (Day of Reckoning), Does it Matter<\/td>\n<\/tr>\n
Dennis Overeem<\/td>\nCasting directors<\/td>\n<\/td>\n<\/tr>\n
Chip Bray<\/td>\nCasting directors<\/td>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n <\/div>\n <\/div> \n <\/div> \n <\/div> \n<\/div>
\n
\n
\n
\n \"AMERICAN\n <\/div>\n \n
\n
\n

AMERICAN MARRIAGE<\/h2>

Leonardo, an Italian immigrant who lives in New York, marries a Latina woman, Nikki, to obtain the American greencard. Through the comedy of it all Nikki and Leo fall in love \u201cfor real\u201d but it looks like “Uncle Sam” will be the one to have the last laugh.<\/p>\n\n\n\n\n\n\n\n\n
Giorgio Arcelli Fontana<\/td>\nDirector<\/td>\nPart-Time Princess<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
James Ivory (Collaboration)<\/td>\nWriter<\/td>\nCall Me By Your Name, Room with a View, Remains of the Day, Howard Ends<\/td>\n<\/td>\n<\/tr>\n
Stephen Gibler<\/td>\nProducer<\/td>\nSeptember Morning, One by One, Bread and Butter<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
James Ivory<\/td>\nProducer<\/td>\nCall Me By Your Name, Room with a View, Remains of the Day, Howard Ends<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Giorgio Arcelli Fontana<\/td>\nKey Cast<\/td>\n\u201cLeo\u201d<\/td>\nDance Again With Me, Heywood<\/td>\n<\/tr>\n
Lori Hammel<\/td>\nKey Cast<\/td>\n\u201cMs. Strozzi\u201d<\/td>\nBurn After Reading, Master of None, The Big Sic, The Following<\/td>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n <\/div>\n <\/div> \n <\/div> \n <\/div> \n<\/div>
\n
\n
\n
\n \"On\n <\/div>\n \n
\n
\n

On the Verge of ___<\/h2>\n\n\n\n\n\n\n\n
Anna Antonova<\/td>\nDirector<\/td>\n<\/tr>\n
Anna Antonova<\/td>\nWriter<\/td>\n<\/tr>\n
Anna Antonova<\/td>\nProducer<\/td>\n<\/tr>\n
Alexey Konshin<\/td>\nKey Cast<\/td>\n\u201cMitya\u201d<\/td>\n<\/tr>\n
Igor Vorobyov<\/td>\nCinematographer<\/td>\n\u201cAndrey\u201d<\/td>\n<\/tr>\n
Rashid Aytuganov<\/td>\nCostume Designer<\/td>\n\u201cuncle Kolya\u201d<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n <\/div>\n <\/div> \n <\/div> \n <\/div> \n<\/div>
\n
\n
\n
\n \"I\n <\/div>\n \n
\n
\n

I want to see some I.D. !<\/h2>

What can one do without a valid ID?
\nBased on true events, the journey of our hero begins when he tries to get back a parcel at the post office, without any valid ID, facing the strict rules of the post office department and ends within the walls of the police precinct, dealing with dirty cops. <\/p>\n\n\n\n\n\n
Daniel JENNY<\/td>\nDirector<\/td>\nInsurance is a cold plate eating, Alea Jacta Est<\/td>\n<\/tr>\n
Daniel JENNY<\/td>\nWriter<\/td>\nInsurance is a cold plate eating, Alea Jacta Est<\/td>\n<\/tr>\n
FMR Productions<\/td>\nProducer<\/td>\nHot Summer (Lm), The Assignment 1.0 (Lm), Insurance is a cold plate eating (Cm), Alea Jacta Est (Cm), A bad Story (Cm)<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n <\/div>\n <\/div> \n <\/div> \n <\/div> \n<\/div>
\n
\n
\n
\n \"Terms\n <\/div>\n \n
\n
\n

Terms and Conditions<\/h2>

Terms and Conditions tells a story about a young high-school student that created an application for student-teacher communication. When he discovers some sensitive information through a backdoor he created in the application, he finds himself in a powerful position.
\nIn this movie we try to show the audience the dangers of apps.<\/p>\n\n\n\n\n\n\n
Leon de Levita<\/td>\nDirector<\/td>\n<\/tr>\n
Leon de Levita<\/td>\nWriter<\/td>\n<\/tr>\n
Casper Molin<\/td>\nProducer<\/td>\n<\/tr>\n
Thomas Bultstra<\/td>\nD.O.P<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n <\/div>\n <\/div> \n <\/div> \n <\/div> \n<\/div>
\n
\n
\n
\n \"How\n <\/div>\n \n
\n
\n

How Countries Fight Their Wars<\/h2>

How countries fight their wars.<\/p>\n\n\n\n\n\n
Thomas Loopstra, Maurice Baltissen<\/td>\nDirector<\/td>\n<\/tr>\n
Thomas Loopstra, Maurice Baltissen<\/td>\nWriter<\/td>\n<\/tr>\n
Thomas Loopstra, Maurice Baltissen<\/td>\nProducer<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n <\/div>\n <\/div> \n <\/div> \n <\/div> \n<\/div>
\n
\n
\n
\n \"DER\n <\/div>\n \n
\n
\n

DER BESUCH – THE VISIT<\/h2>

Klaus (60) works voluntary as a Santa Claus in a shopping mall. After an exhausting day, he considers to hang up his job. But then, he gets a call from the children’s intensive care unit.<\/p>\n\n\n\n\n\n\n\n\n\n\n
Christian Werner<\/td>\nDirector<\/td>\n<\/tr>\n
Michael Knoll<\/td>\nWriter<\/td>\n<\/tr>\n
Thomas Springer<\/td>\nProducer<\/td>\n<\/tr>\n
Simon Albin<\/td>\nProducer<\/td>\n<\/tr>\n
Christian Werner<\/td>\nProducer<\/td>\n<\/tr>\n
Anne Gorke<\/td>\nCostume Design<\/td>\n<\/tr>\n
Christian Trieloff<\/td>\nDirector of Photography<\/td>\n<\/tr>\n
Lisa Kumpf<\/td>\nArt Direction<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n <\/div>\n <\/div> \n <\/div> \n <\/div> \n<\/div>
\n
\n
\n
\n \"ANGEL\u2019S\n <\/div>\n \n
\n
\n

ANGEL\u2019S MIRROR (dir. C. Chao)<\/h2>

In China, in the early 1990\u2019s, a little boy and his family have just come to live in a large factory complex. As he explores his new surroundings, he comes across other boys his age playing ping-pong \u2014 and discovers that they are fascinated by a cute little girl who spends her days looking out from the window of an upstairs apartment. Wanting to know more about the girl, he comes up with his own unique way of starting a friendship with her.<\/p>\n\n\n\n\n\n\n\n\n\n\n
Cheng Chao<\/td>\nDirector<\/td>\n<\/tr>\n
Cheng Chao<\/td>\nWriter<\/td>\n<\/tr>\n
Shi Qi, Zhang Lei<\/td>\nProducer<\/td>\n<\/tr>\n
Liu Lianjie<\/td>\nDirector of Photography<\/td>\n<\/tr>\n
Wang Yao<\/td>\nArt Direction<\/td>\n<\/tr>\n
Zhang Yujie\/Wei Yuan\/Liu Zhifang<\/td>\nCostume Design<\/td>\n<\/tr>\n
Liu Xinhe<\/td>\nSound<\/td>\n<\/tr>\n
Cheng Chao<\/td>\nEditor<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n <\/div>\n <\/div> \n <\/div> \n <\/div> \n<\/div>
\n
\n
\n
\n \"SPLENDID\n <\/div>\n \n
\n
\n

SPLENDID CASE OF DOUBT (dir. D. Moshel)<\/h2>

A simple love story between a bored bumber car owner and a furry. Sometimes love makes us forget… <\/p>\n\n\n\n\n\n\n\n\n\n\n
Daniel Moshel<\/td>\nDirector<\/td>\n<\/tr>\n
Daniel Moshel, Eugen Klim<\/td>\nWriter<\/td>\n<\/tr>\n
Eugen Klim, Daniel Moshel, Philipp Hatzl<\/td>\nProducer<\/td>\n<\/tr>\n
Kurt Gaulhofer<\/td>\nMusic<\/td>\n<\/tr>\n
Shlomo & Schmilnitz Schmotz<\/td>\nVisual FX & 3D<\/td>\n<\/tr>\n
Horst Schnattler<\/td>\nSound<\/td>\n<\/tr>\n
Anna Grenzfurthner<\/td>\nEditor<\/td>\n<\/tr>\n
Horst Schnattler<\/td>\nSound Design<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n <\/div>\n <\/div> \n <\/div> \n <\/div> \n<\/div>
\n
\n
\n
\n \"ITALY\n <\/div>\n \n
\n
\n

ITALY & (THIS IS) WATER (Dir. I. Gavriel & A. F. Plaschg )<\/h2>

A single day: from the tender break of dawn to the darkest night. One out of many days to come? Quite possibly the very last. A long farewell, an ultimate goodbye to a life we have grown to hold dear. Leading to a head-on dive into a new reality, into a new state of being. <\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n
Ioan Gavriel<\/td>\nDirector<\/td>\n<\/tr>\n
Anja Franziska Plaschg<\/td>\nDirector<\/td>\n<\/tr>\n
Ioan Gavriel<\/td>\nWriter<\/td>\n<\/tr>\n
Anja Franziska Plaschg<\/td>\nWriter<\/td>\n<\/tr>\n
Lenz Mosbacher<\/td>\nWriter<\/td>\n<\/tr>\n
Dominic Spitaler<\/td>\nProducer<\/td>\n<\/tr>\n
Keith Albert Tedesco<\/td>\nProducer<\/td>\n<\/tr>\n
Patryk Senwicki<\/td>\nProducer<\/td>\n<\/tr>\n
Ioan Gavriel<\/td>\nProducer<\/td>\n<\/tr>\n
Talisa Lilli Lemke<\/td>\nKey Cast<\/td>\n<\/tr>\n
Anja Franziska Plaschg<\/td>\nKey Cast<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n <\/div>\n <\/div> \n <\/div> \n <\/div> \n<\/div>
\n
\n
\n
\n \"SOLITAIRE\n <\/div>\n \n
\n
\n

SOLITAIRE (dir. E. Brodach)<\/h2>

Alexandra, a French architect working on a significant project in Moscow, is an intelligent, driven and independent career woman. But when her life\u2019s desire turns to having a child, and with her biological clock ticking, she is suddenly faced with a serious choice: does she have the time to wait for love or must she take responsibility to have a child alone?<\/p>\n\n\n\n\n\n\n\n\n\n\n
Elena Brodach<\/td>\nDirector<\/td>\n<\/tr>\n
Zeferino Villarreal, Elena Brodach<\/td>\nWriter<\/td>\n<\/tr>\n
Elena Brodach, Yuri Grachevski, Vyacheslav Murugov, Grachevski Film<\/td>\nProducer<\/td>\n<\/tr>\n
Aleksei Kurbatov<\/td>\nMusic<\/td>\n<\/tr>\n
Aleksey Tsarev<\/td>\nSound Design<\/td>\n<\/tr>\n
Maxim Kazakov<\/td>\nEditor<\/td>\n<\/tr>\n
Aleksey Tsarev<\/td>\nSound<\/td>\n<\/tr>\n
Olga Marchenko<\/td>\nDirector of Photography<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n <\/div>\n <\/div> \n <\/div> \n <\/div> \n<\/div>
\n
\n
\n
\n \"MORGEN\n <\/div>\n \n
\n
\n

MORGEN KOMMT KEIN WEIHNACHTSMANN (dir. A. Ludwig)<\/h2>

A single mum is very sad as she isn’t able to afford to hire a Father Christmas on Christmas Eve for her children this year \u2013 a typical tradition in this family and parts of Germany.
\nThe brothers just notice that mum is unhappy as Father Christmas won\u2019t be coming around. Their conclusion: Mum still believes in Father Christmas.
\nNow it\u2019s up to them to organize a Father Christmas in order to make mum happy again.<\/p>\n\n\n\n\n\n\n\n\n\n\n
Anna Ludwig<\/td>\nDirector<\/td>\n<\/tr>\n
Anna Ludwig<\/td>\nWriter<\/td>\n<\/tr>\n
Doris Wedemeier<\/td>\nProducer<\/td>\n<\/tr>\n
Uni PPM<\/td>\nMusic<\/td>\n<\/tr>\n
Vitus Niedermayer<\/td>\nSound Design<\/td>\n<\/tr>\n
Vitus Niedermayer, Klaus Ko\u0308hler<\/td>\nEditor<\/td>\n<\/tr>\n
Timm Plaster, Klaus Ko\u0308hler<\/td>\nSound<\/td>\n<\/tr>\n
Anna Ludwig<\/td>\nArt Direction, Costume Design, Editor<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n <\/div>\n <\/div> \n <\/div> \n <\/div> \n<\/div>
\n
\n
\n
\n \"MILK\n <\/div>\n \n
\n
\n

MILK (dir. S. Kia)<\/h2>

In this family drama, a Russian immigrant couple do all they can to provide help to their daughter while facing their differences.<\/p>\n\n\n\n\n\n\n\n\n\n\n
Samiramis Kia<\/td>\nDirector<\/td>\n<\/tr>\n
Samiramis Kia<\/td>\nWriter<\/td>\n<\/tr>\n
Samiramis Kia<\/td>\nProducer<\/td>\n<\/tr>\n
Sultan Ridwan<\/td>\nSound<\/td>\n<\/tr>\n
Siddharta Devalla, Samiramis Kia<\/td>\nEditor<\/td>\n<\/tr>\n
Florian Flossmann<\/td>\nSound<\/td>\n<\/tr>\n
Nanna Janssen<\/td>\nArt Direction<\/td>\n<\/tr>\n
Silke Schmelzer<\/td>\nCostume Design<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n <\/div>\n <\/div> \n <\/div> \n <\/div> \n<\/div>
\n
\n
\n
\n \"DIE\n <\/div>\n \n
\n
\n

DIE BEWEGUNG DER STERNE – THE MOTION OF STARS (dir. Prazak)<\/h2>

Eight-year-old Lena\u2019s favourite book, about the secret relationship between stars and humans, gains special significance as she watches a solar eclipse with her father; changing both their worlds forever.<\/p>\n\n\n\n\n\n\n\n\n\n\n
Jan Prazak<\/td>\nDirector<\/td>\n<\/tr>\n
Jan Prazak<\/td>\nWriter<\/td>\n<\/tr>\n
Clara Bacher<\/td>\nProducer<\/td>\n<\/tr>\n
Johannes Schellhorn<\/td>\nSound Design<\/td>\n<\/tr>\n
Barbara Seidler<\/td>\nEditor<\/td>\n<\/tr>\n
Markus Wittershagen<\/td>\nSound<\/td>\n<\/tr>\n
Clemens Ritschka<\/td>\nArt Direction<\/td>\n<\/tr>\n
Patrick Wally<\/td>\nDOP<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n <\/div>\n <\/div> \n <\/div> \n <\/div> \n<\/div>
\n
\n
\n
\n \"MENUETT\n <\/div>\n \n
\n
\n

MENUETT (dir. F. Karolus)<\/h2>

For Charlotte (Senta Berger) it is like any other Sunday, until the doorbell rings and a stranger (Thomas Thieme) surprises her with an exceptional demand.<\/p>\n\n\n\n\n\n\n\n\n\n\n
Wolfgang Aichholzer & Felix Karolus<\/td>\nWriter<\/td>\n<\/tr>\n
Manu S. Scheidt & Felix Karolus<\/td>\nProducer<\/td>\n<\/tr>\n
J.S. Bach<\/td>\nMusic<\/td>\n<\/tr>\n
So\u0308ren Blu\u0308thgen<\/td>\nSound Design<\/td>\n<\/tr>\n
Gerald Slovak<\/td>\nEditor<\/td>\n<\/tr>\n
Florian Flossmann<\/td>\nSound<\/td>\n<\/tr>\n
Nanna Janssen<\/td>\nArt Direction<\/td>\n<\/tr>\n
Silke Schmelzer<\/td>\nCostume Design<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n <\/div>\n <\/div> \n <\/div> \n <\/div> \n<\/div>
\n
\n
\n
\n \"The\n <\/div>\n \n
\n
\n

The Elite 8<\/h2>

BEST WEB SERIES, 2019 EUROPEAN FILM FESTIVAL MAINSTREAM & UNDERGROUND<\/p>\n

BEST WEB\/NEW MEDIA, 2019 LA EDGE FILM AWARDS<\/p>\n

The Elite 8 are Lane’s eight girlfriends from middle school to middle age. The relationships & episodes reflect Lane’s journey from math whiz kid to trader on Wall Street to soulful human being.<\/p>\n

(View all 8 episodes at: https:\/\/vimeo.com\/showcase\/5709814)<\/p>\n

Each girl or woman is a female archetype. The Elite 8 are:<\/p>\n

Stella, The Girl Next Door
\nBrainiac Haley
\nCrusader Cerise
\nMorgan, The Boss
\nGia, The Seductress
\nAnabeth, The Husband Hunter
\nWaif\/Poetess Bliss
\nFree Spirit Juliette<\/p>\n

The series opens with Stella telling young Lane eight boys have asked her to Homecoming. She has narrowed them down to the Final Four. Stella confides to Lane, “Homecoming would be a lot more fun if I was going with you.” That is not an option because all of her friends are going with seniors and Lane is in the middle school.<\/p>\n

Young Lane, Adult Lane, and Older Lane pursue eight contenders for The One. Lane is not ready to commit his heart & soul to any new girl or woman until Episode 8. Has he met his match with Free Spirit Juliette?<\/p>\n\n\n\n\n\n
Jeryl Parade<\/td>\nDirector<\/td>\n<\/tr>\n
Jeryl Parade<\/td>\nWriter<\/td>\n<\/tr>\n
Diego Bernard<\/td>\nDirector of Photography<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n <\/div>\n <\/div> \n <\/div> \n <\/div> \n<\/div>
\n
\n
\n
\n \"America\"\n <\/div>\n \n
\n
\n

America<\/h2>

In a tribute to his brother’s military service in Iraq, Tim takes his brother’s ashes to NY to the 9\/11 Memorial. The journey ends in a lesson in racial profiling when he shares his evening with his middle-eastern Air-BnB host, Abdul.<\/p>\n\n\n\n\n\n\n\n\n\n
Mary Lou Belli<\/td>\nDirector<\/td>\nNCIS New Orleans, Pitch, Famous In Love, 150 eps of TV,<\/td>\n<\/tr>\n
Jana Sue Memel<\/td>\nWriter<\/td>\n<\/td>\n<\/tr>\n
Mary Lou Belli<\/td>\nProducer<\/td>\n<\/td>\n<\/tr>\n
Charles Dougherty<\/td>\nProducer<\/td>\n<\/td>\n<\/tr>\n
Grant Kretchik<\/td>\nProducer<\/td>\n<\/td>\n<\/tr>\n
Tim Dougherty<\/td>\nKey Cast<\/td>\n\u201cTim\u201d<\/td>\n<\/tr>\n
Jade Ziane<\/td>\nKey Cast<\/td>\n\u201cAbdul\u201d<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n <\/div>\n <\/div> \n <\/div> \n <\/div> \n<\/div>
\n
\n
\n
\n \"TOAST\"\n <\/div>\n \n
\n
\n

TOAST<\/h2>

Two people are ready to make a toast but they do not know why. What they do know is that they own a dark and evil past and that they try to forget it with champagne.<\/p>\n\n\n\n\n\n\n
Alberto Mart\u00edn-Arag\u00f3n<\/td>\nDirector<\/td>\n<\/tr>\n
Alberto Mart\u00edn-Arag\u00f3n<\/td>\nDirector<\/td>\n<\/tr>\n
Julia Dom\u00e9nech<\/td>\nProducer<\/td>\n<\/tr>\n
Julia Dom\u00e9nech<\/td>\nKey Cast<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n <\/div>\n <\/div> \n <\/div> \n <\/div> \n<\/div>
\n
\n
\n
\n \"“Time\n <\/div>\n \n
\n
\n

“Time 2019”<\/h2>

“Time 2019” is an abstract dance created for video in three sections. Directed by Mimi Garrard it features the dancer Austin Selden and the composer Glen Velez.<\/p>\n\n\n\n\n\n\n\n
Mimi Garrard<\/td>\nDirector<\/td>\n60 festivals 10 awards<\/td>\n<\/td>\n<\/tr>\n
Sachin Ramdas<\/td>\nWriter<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
The Mimi Garrard Dance Company Inc.<\/td>\nProducer<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Austin Selden<\/td>\nKey Cast<\/td>\n\u201cdancer\u201d<\/td>\nseveral awards for film<\/td>\n<\/tr>\n
Glen Velez<\/td>\nmusic<\/td>\ninternationally recognized artist<\/td>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n <\/div>\n <\/div> \n <\/div> \n <\/div> \n<\/div>
\n
\n
\n
\n \"Sound\n <\/div>\n \n
\n
\n

Sound of Two<\/h2>

A college professor wakes up in an interrogation room without any recollection of his past. A cat and mouse game of high stakes takes place between him and his interrogators.<\/p>\n